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The technique of film editing / written and compiled by Karel Reisz and Gavin Millar ; with guidance of the following committee appointed by The British Film Academy ; Thorold Dickinson (chairman).

By: Contributor(s): Material type: TextTextLanguage: English Publication details: Oxon : Focal Press, 2014.Edition: 2nd ed; special Indian editionISBN:
  • 9781032102825
Subject(s): Summary: "Enhanced version of the seminal text on editing includes a new foreword, a new afterword, a revamped cover and layout!The single most comprehensive and engaging volume on film editing. Reisz and Millar introduce readers to every aspect of the editor's craft, providing a concise history of editing and describing editing style as it applies to every genre of moviemaking, including many types of narrative and documentary films. The particular demands of wide-screen filmmaking, cinema verite, and the avant-garde are also covered.Reisz and Millar's account of the differences between smooth and abrupt editing and their remarkable sense of editing for dramatic effect rather than for realism make this book essential for apprentice editors, as well as those who want to know how filmmakers understand their work."--
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Item type Home library Collection Shelving location Call number Status Date due Barcode
Print Print OPJGU Sonepat- Campus Textbooks Main Library 777.55 RE-T (Browse shelf(Opens below)) Available 150511
Print Print OPJGU Sonepat- Campus Textbooks Main Library 777.55 RE-T (Browse shelf(Opens below)) Available 147176

"Enhanced version of the seminal text on editing includes a new foreword, a new afterword, a revamped cover and layout!The single most comprehensive and engaging volume on film editing. Reisz and Millar introduce readers to every aspect of the editor's craft, providing a concise history of editing and describing editing style as it applies to every genre of moviemaking, including many types of narrative and documentary films. The particular demands of wide-screen filmmaking, cinema verite, and the avant-garde are also covered.Reisz and Millar's account of the differences between smooth and abrupt editing and their remarkable sense of editing for dramatic effect rather than for realism make this book essential for apprentice editors, as well as those who want to know how filmmakers understand their work."--

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