The technique of film editing / (Record no. 3052645)
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000 -LEADER | |
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fixed length control field | 01790nam a22002777a 4500 |
003 - CONTROL NUMBER IDENTIFIER | |
control field | JGU |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20240915020007.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 221006b |||||||| |||| 00| 0 eng d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9781032102825 |
Qualifying information | pbk. |
040 ## - CATALOGING SOURCE | |
Language of cataloging | eng |
Transcribing agency | JGU |
041 ## - LANGUAGE CODE | |
Language code of text/sound track or separate title | eng |
100 ## - MAIN ENTRY--PERSONAL NAME | |
Personal name | Reisz, Karel, |
9 (RLIN) | 1636025 |
Relator term | author |
245 ## - TITLE STATEMENT | |
Title | The technique of film editing / |
Statement of responsibility, etc | written and compiled by Karel Reisz and Gavin Millar ; with guidance of the following committee appointed by The British Film Academy ; Thorold Dickinson (chairman). |
250 ## - EDITION STATEMENT | |
Edition statement | 2nd ed. |
250 ## - EDITION STATEMENT | |
Edition statement | special Indian edition |
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
Place of publication, distribution, etc | Oxon : |
Name of publisher, distributor, etc | Focal Press, |
Date of publication, distribution, etc | 2014. |
520 ## - SUMMARY, ETC. | |
Summary, etc | "Enhanced version of the seminal text on editing includes a new foreword, a new afterword, a revamped cover and layout!The single most comprehensive and engaging volume on film editing. Reisz and Millar introduce readers to every aspect of the editor's craft, providing a concise history of editing and describing editing style as it applies to every genre of moviemaking, including many types of narrative and documentary films. The particular demands of wide-screen filmmaking, cinema verite, and the avant-garde are also covered.Reisz and Millar's account of the differences between smooth and abrupt editing and their remarkable sense of editing for dramatic effect rather than for realism make this book essential for apprentice editors, as well as those who want to know how filmmakers understand their work."-- |
610 ## - SUBJECT ADDED ENTRY--CORPORATE NAME | |
Corporate name or jurisdiction name as entry element | The British Film Academy |
9 (RLIN) | 1637186 |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name as entry element | Motion pictures |
Form subdivision | Editing |
9 (RLIN) | 1637187 |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name as entry element | Motion pictures |
700 1# - ADDED ENTRY--PERSONAL NAME | |
Personal name | Millar, Gavin, |
Relator term | author |
9 (RLIN) | 1637188 |
700 1# - ADDED ENTRY--PERSONAL NAME | |
Personal name | Dickinson, Thorold, |
Relator term | chairman of guidance committe |
-- | introduction |
9 (RLIN) | 1637189 |
Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Collection code | Koha item type | Home library | Current library | Shelving location | Full call number | Barcode | Total Checkouts | Date last seen | Date checked out |
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Dewey Decimal Classification | Textbooks | OPJGU Sonepat- Campus | OPJGU Sonepat- Campus | Main Library | 777.55 RE-T | 147176 | 3 | 11/10/2024 | 14/09/2024 | |||||
Dewey Decimal Classification | Textbooks | OPJGU Sonepat- Campus | OPJGU Sonepat- Campus | Main Library | 777.55 RE-T | 150511 | 2 | 05/10/2024 | 27/08/2024 |