000 | 01915cam a22003495i 4500 | ||
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001 | 18036657 | ||
005 | 20140311123818.0 | ||
008 | 121228t20132013ii b 001 0 eng d | ||
010 | _a 2013410439 | ||
020 | _a9780415840439 | ||
025 | _aI-E-2013-410439; 28-92 | ||
035 | _a(OCoLC)ocn823011380 | ||
035 | _a(OCoLC)823011380 | ||
037 | _aLibrary of Congress -- New Delhi Overseas Office | ||
040 |
_aYDXCP _beng _erda _cYDXCP _dBTCTA _dOCLCQ _dUNL _dIXA _dDLC |
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042 |
_alccopycat _alcode |
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050 | 0 | 0 | _aPK1727.F5+ |
090 |
_aPR9499.3.T34 _bZ58 2013 |
||
100 | 1 |
_aChakravarty, Radha _91955 |
|
245 | 1 | 0 |
_aNovelist Tagore _bgender and modernity in selected texts |
260 |
_aLondon _bRoutledge _c2013 |
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504 | _aIncludes bibliographical references (pages 146-154) and index. | ||
520 | _aRabindranath Tagore is widely regarded as a poet-philosopher and educationist, but his novels remain a relatively underexplored aspect of his oeuvre. Focusing on gender and modernity as key features of his fiction, this book charts Tagore's evolution as a novelist from self-conscious psychologizing in Chokher Bali to an engagement with nationalism in Gora and Ghare Baire (The Home and the World); a portrayal of asceticism and desire in Chaturanga (Quartet); an analysis of marriage, sexuality and change in Bengali society in Yogayog (Relationships); an effervescent fusion of social satire and literary experimentation in Shesher Kabita (Farewell Song); and an intense, dramatic study of love, politics, and terrorism in Char Adhyay (Four Chapters). | ||
600 | 1 | 0 |
_aTagore, Rabindranath, _d1861-1941 _xCriticism and interpretation. _91956 |
906 |
_a7 _bpar _ccopycat _d3 _encip _f20 _gy-gencatlg |
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999 |
_c34966 _d34966 |