| 000 | 01859nam a22002297a 4500 | ||
|---|---|---|---|
| 003 | JGU | ||
| 005 | 20221020171652.0 | ||
| 008 | 221020b |||||||| |||| 00| 0 eng d | ||
| 020 |
_a9781681370248 _qpbk. |
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| 040 |
_cJGU _beng |
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| 041 |
_aeng _hfre |
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| 100 |
_aBresson, Robert, _91636332 _eauthor |
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| 245 |
_aNotes on the cinematograph / _cRobert Bresson ; translated from the French by Jonathan Griffin ; introduction by J.M.G. Le Clezio. |
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| 260 |
_aNew York : _bNew York Review Books, _c1986. |
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| 520 | _a"The French film director Robert Bresson was one of the great artists of the twentieth century and among the most radical, original, and radiant stylists of any time. He worked with nonprofessional actors—models, as he called them—and deployed a starkly limited but hypnotic array of sounds and images to produce such classic works as A Man Escaped, Pickpocket, Diary of a Country Priest, and Lancelot of the Lake. From the beginning to the end of his career, Bresson dedicated himself to making movies in which nothing is superfluous and everything is always at stake. Notes on the Cinematograph distills the essence of Bresson’s theory and practice as a filmmaker and artist. He discusses the fundamental differences between theater and film; parses the deep grammar of silence, music, and noise; and affirms the mysterious power of the image to unlock the human soul. This book, indispensable for admirers of this great director and for students of the cinema, will also prove an inspiration, much like Rilke’s Letters to a Young Poet, for anyone who responds to the claims of the imagination at its most searching and rigorous."-- | ||
| 650 | _aMotion pictures | ||
| 650 |
_aCinematography _9139062 |
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| 700 | 1 |
_aGriffin, Jonathan, _etranslator _91637406 |
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| 999 |
_c3052734 _d3052734 |
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