000			01812naaaa2200241uu 4500
001			https://directory.doabooks.org/handle/20.500.12854/63187
005			20220714185007.0
020			_a05.6:2020.2.1
024	7		_a10.25364/05.6:2020.2.1 _cdoi
041	0		_aEnglish
042			_adc
100	1		_aAngela Sue Sawyer _4auth _91576055
245	1	0	_aAct One. Comfort the Waste Places, Defend the Violated Earth. An Ecofeminist Reading of Isaiah 51:1-52:6 and Tracy Chapman's "The Rape of the World". : Act One. Comfort the Waste Places, Defend the Violated Earth.
260			_bSchüren Verlag _c2020
300			_a1 electronic resource (21-33 p.)
506	0		_aOpen Access _2star _fUnrestricted online access
520			_aThis paper compares the personification of Zion in Isaiah 51:1-52:6 as a mother and daughter with Tracy Chapman's 1995 song "The rape of the world" where the earth is portrayed as mother. I will explore the use of rape imagery and how both pieces portray the negative effects of human activity on the earth, whether by commercial activity or war. The environmental impact of the desolation of the earth during the Babylonian exile depicted in Isaiah and its portrayal via gendered images is viewed through the lens of ecofeminist criticism. The earth itself has a voice in both Chapman's and Isaiah's words.
540			_aCreative Commons _fhttps://creativecommons.org/licenses/by-nc-sa/4.0/ _2cc _4https://creativecommons.org/licenses/by-nc-sa/4.0/
546			_aEnglish
773	1	0	_0OAPEN Library ID: 50727 _tReligion and Popular Music _7nnaa
856	4	0	_awww.oapen.org _uhttps://jrfm.eu/index.php/ojs_jrfm/article/view/219 _70 _zDOAB: download the publication
856	4	0	_awww.oapen.org _uhttps://directory.doabooks.org/handle/20.500.12854/63187 _70 _zDOAB: description of the publication
999			_c3007300 _d3007300