000 02192nam a22002537a 4500
003 JGU
005 20241016020011.0
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020 _a9780292776241
_qpbk.
040 _beng
_cJGU
041 _aeng
_hrus
100 _aTarkovsky, Andrey,
_9862063
_eauthor
245 _aSculpting in time :
_breflections on the cinema /
_cAndrey Tarkovsky ; translated from the Russian by Kitty Hunter-Blair
260 _aLondon :
_bUniversity of Texas Press,
_c1987.
520 _a"Andrea tarkovsky, the genius of modern Russian cinema-hailedd by ingmar Bergman as "the most important director of our time"-died an exile in Paris in December 1986. In sculpting in time, he has left his artistic testament, a remarkable revelation of both his life and work. Since ivan's childhood won the Golden lion at the Venice film festival in 1962, The visionary quality and totally original and haunting imagery of Tarkovsky's films have captivated serious movie audiences all over the world, who see in his work a continuation of the great literary traditions of nineteenth-century Russia. Many critics have tried to interpret his intensely personal vision, but he himself always remained inaccessible. In sculpting in time, tarkovsky sets down his thoughts and his memories, revealing for the first time the original inspirations for his extraordinary films- ivan's childhood, andrey rublyov, Solaris, the mirror, stalker, nostalgia, and the sacrifice. he discusses their history and his methods of work, he explores the many problems of visual creativity, and he sets forth the deeply autobiographical content of part of his oeuvre-most fascinatingly in the mirrors; and nostalgia. the closing Chapter on the sacrifice, dictated in the last weeks of Tarkovsky's life, makes the book essential reading for those who already know or who are just discovering his magnificent work."--
650 _aRussia
_bMotion picture producers and directors
_91636124
650 _aSoviet Union
_934273
700 1 _aHunter-Blair, Kitty,
_etranslator
_91636125
999 _c2517517
_d2517517