000			01977cam a2200229 i 4500
005			20220706161227.0
008			170207s2017 nyu 001 0 eng
020			_qpbk. _a9781138201101
035			_aJGU
040			_beng
041			_aeng
100	1		_aWhitcomb, Cynthia _eauthor _9862128
245	1	4	_aThe heart of the film : _bwriting love stories in screenplays / _cCynthia Whitcomb.
260			_aNew York : _bRoutledge, _c2017.
520			_a"The Death and Life of the Music Industry in the Digital Age challenges the conventional wisdom that the internet is 'killing' the music industry. While technological innovations (primarily in the form of peer-to-peer file-sharing) have evolved to threaten the economic health of major transnational music companies, Rogers illustrates how those same companies have themselves formulated highly innovative response strategies to negate the harmful effects of the internet. In short, it documents how the radical transformative potential of the internet is being suppressed by legal and organisational innovations. Grounded in a social shaping perspective, the Death and Life of the Music Industry in the Digital Age contends that the internet has not altered pre-existing power relations in the music industry where a small handful of very large corporations have long since established an oligopolistic dominance. Furthermore, the book contends that widespread acceptance of the idea that online piracy is rampant and music largely 'free' actually helps these major music companies in their quest to bolster their power. In doing this, the study serves to deflate much of the transformative hype and digital 'deliria' that has accompanied the internet's evolution as a medium for mass communication."--
650		0	_aMotion picture authorship. _926703
650		0	_aTelevision authorship. _91621
650		0	_aRomance fiction _xAuthorship. _9862129
999			_c2517173 _d2517173