000 03556cam a22003858i 4500
001 19633793
003 JGU
005 20190410144956.0
007 Paper bound
008 170512s2018 enk b 000 0 eng
010 _a 2017017280
020 _a9781138038721
040 _aDLC
_beng
_erda
_cDLC
042 _apcc
043 _ae------
050 0 0 _aCB203
_b.D37 2018
082 0 0 _a303.482094
_223
_bDE-E
100 1 _aDelanty, Gerard,
_eauthor.
_959261
245 1 4 _aEuropean heritage
_ba critical re-interpretation
_cby Gerard Delanty.
260 _aNew York
_bRoutledge
_c2018
263 _a1707
300 _aix,230p.
504 _aIncludes bibliographical references.
505 0 _aIntroduction: The past in the present, part I : making sense of a transnational world -- Transnationalism in historical and sociological analysis -- Modernity and the plurality of Europe -- Europe unbounded : critical cosmopolitanism and the problem of Eurocentrism, part II : encounters, routes, transfers and entanglements -- Cultural encounters and European civilisation -- Europe and modernity as reference cultures -- The making of European society and the entanglement of capitalism and democracy -- The legacy of European integration : Europe in the world, part III : looking to the future -- Solidarity as a political legacy for Europe today -- Making sense of Brexit : a divided nation in a divided Europe -- Europe beyond the crisis : re-inventing the European heritage I : making sense of a transnational world.
520 2 _a"Gerard Delanty offers a critical interpretation of the European heritage today in light of recent developments in the human and social sciences, and in view of a mood of crisis in Europe that compels us to re-think the European past. One of the main insights informing this book is that a transnational and global perspective on European history can reorient the European heritage in a direction that offers a more viable way for contemporary Europe to articulate an intercultural identity in keeping with the emerging shape of Europe, and with its own often acknowledged past. He argues that the European heritage is based less on a universalistic conception of culture than on a plurality of interconnecting narratives, and the inclusion of new voices and is being forged in new spaces of critical dialogue. Such a perspective opens up new directions for scholarship and public debate on heritage that are guided by critical cosmopolitan considerations that highlight contention, resistances, competition and dissonance. He argues that the specificity of the European dimension of culture is in the entanglement of many cultures rather than in an original culture. The cultures of Europe are not separated but have been shaped in close interaction with each other and with the non-European world. Nations are not therefore unique, exceptional or fundamentally different from each other. The outcome of such intermingling is a multiplicity of ideas of Europe that serve as shared cultural reference points"--Provided by publisher.
650 0 _aGroup identity
_zEurope.
_959262
650 0 _aCultural pluralism
_zEurope.
_959263
650 0 _aTransnationalism
_xSocial aspects
_zEurope.
_959264
650 0 _aGlobalization
_xSocial aspects
_zEurope.
_959265
651 0 _aEurope
_xCivilization
_xPhilosophy.
_957174
651 0 _aEurope
_xHistory
_xPhilosophy.
_930256
906 _a7
_bcbc
_corignew
_d1
_eecip
_f20
_gy-gencatlg
942 _2ddc
_cBK
999 _c229556
_d229556