000 | 03556cam a22003858i 4500 | ||
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001 | 19633793 | ||
003 | JGU | ||
005 | 20190410144956.0 | ||
007 | Paper bound | ||
008 | 170512s2018 enk b 000 0 eng | ||
010 | _a 2017017280 | ||
020 | _a9781138038721 | ||
040 |
_aDLC _beng _erda _cDLC |
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042 | _apcc | ||
043 | _ae------ | ||
050 | 0 | 0 |
_aCB203 _b.D37 2018 |
082 | 0 | 0 |
_a303.482094 _223 _bDE-E |
100 | 1 |
_aDelanty, Gerard, _eauthor. _959261 |
|
245 | 1 | 4 |
_aEuropean heritage _ba critical re-interpretation _cby Gerard Delanty. |
260 |
_aNew York _bRoutledge _c2018 |
||
263 | _a1707 | ||
300 | _aix,230p. | ||
504 | _aIncludes bibliographical references. | ||
505 | 0 | _aIntroduction: The past in the present, part I : making sense of a transnational world -- Transnationalism in historical and sociological analysis -- Modernity and the plurality of Europe -- Europe unbounded : critical cosmopolitanism and the problem of Eurocentrism, part II : encounters, routes, transfers and entanglements -- Cultural encounters and European civilisation -- Europe and modernity as reference cultures -- The making of European society and the entanglement of capitalism and democracy -- The legacy of European integration : Europe in the world, part III : looking to the future -- Solidarity as a political legacy for Europe today -- Making sense of Brexit : a divided nation in a divided Europe -- Europe beyond the crisis : re-inventing the European heritage I : making sense of a transnational world. | |
520 | 2 | _a"Gerard Delanty offers a critical interpretation of the European heritage today in light of recent developments in the human and social sciences, and in view of a mood of crisis in Europe that compels us to re-think the European past. One of the main insights informing this book is that a transnational and global perspective on European history can reorient the European heritage in a direction that offers a more viable way for contemporary Europe to articulate an intercultural identity in keeping with the emerging shape of Europe, and with its own often acknowledged past. He argues that the European heritage is based less on a universalistic conception of culture than on a plurality of interconnecting narratives, and the inclusion of new voices and is being forged in new spaces of critical dialogue. Such a perspective opens up new directions for scholarship and public debate on heritage that are guided by critical cosmopolitan considerations that highlight contention, resistances, competition and dissonance. He argues that the specificity of the European dimension of culture is in the entanglement of many cultures rather than in an original culture. The cultures of Europe are not separated but have been shaped in close interaction with each other and with the non-European world. Nations are not therefore unique, exceptional or fundamentally different from each other. The outcome of such intermingling is a multiplicity of ideas of Europe that serve as shared cultural reference points"--Provided by publisher. | |
650 | 0 |
_aGroup identity _zEurope. _959262 |
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650 | 0 |
_aCultural pluralism _zEurope. _959263 |
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650 | 0 |
_aTransnationalism _xSocial aspects _zEurope. _959264 |
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650 | 0 |
_aGlobalization _xSocial aspects _zEurope. _959265 |
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651 | 0 |
_aEurope _xCivilization _xPhilosophy. _957174 |
|
651 | 0 |
_aEurope _xHistory _xPhilosophy. _930256 |
|
906 |
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942 |
_2ddc _cBK |
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