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008			131101s2013 gw aceh b 000 0dger d
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016	7		_a1038863899 _2DE-101
020			_a9783936681710
035			_a(OCoLC)ocn859520667
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043			_aa-ii---
050	0	0	_aNA1088.S3 _bZ335 2013
072		7	_aN _2lcco
100	1		_aZadow, Mario _950755
245	1	0	_aSchinkels Blick nach Indien _bSchinkel`s look towards India
246	3	1	_aSchinkel`s look towards India
260			_aStuttgart _bEdition Axel Menges _c2013
504			_aIncludes bibliographical references.
520	8		_aThis book discusses a subject to which little attention has been paid to date: Schinkels interest in Indian architecture and culture. This interest was first aroused by the English traveller to India William Hodges, who proposed the thesis that Greek and Indian architecture were of equal value. Later, the English landscape painters Thomas and William Daniell were to become even more important for Schinkel. 'Oriental Scenery', the book that described their travels, left its mark on Europes image of India. The sketches he based on the work of the Daniells were preliminary studies for a huge round panorama that was to show the buildings of various periods and nations in their particular setting. His unrealised project for the summer palace Orianda on the Crimea, at the geographical interface of eastern and western culture, was Schinkels convincing and timeless memorial to his dream of the unity of world cultures. The style of the exterior is classical, while that of the interior is Indian and Islamic.
546			_aText in German and English.
600	1	0	_aSchinkel, Karl Friedrich, _d1781-1841 _xCriticism and interpretation. _950756
650		0	_aArchitects _zGermany _y19th century. _950757
650		0	_aArchitecture _zIndia _y19th century. _950758
906			_a7 _bcbc _ccopycat _d3 _encip _f20 _gy-gencatlg
999			_c225682 _d225682