000 03321cam a22003254a 4500
001 5463685
003 JGU
005 20171207101449.0
007 Paper bound
008 050325s2005 iauab b s001 0 eng
040 _aDLC
_cDLC
_dC#P
_dBAKER
_dNNC
_dOrLoB-B
082 0 0 _a792.095409045
_222
_bDH-T
100 1 _aDharwadker, Aparna Bhargava
_958538
245 1 0 _aTheatres of independence
_bdrama, theory and urban performance in India since 1947
246 3 _aTheaters of independence
260 _aNew Delhi
_bOxford University Press
_c2005
300 _axix,478p.
_c24 cm.
490 1 _aStudies in theatre history and culture
504 _aIncludes bibliographical references (p. 449-461) and index.
505 0 0 _g1.
_tPostcolonial frames and the subject of modern Indian theatre --
_g2.
_tThe formation of a new "national canon" --
_g3.
_tAuthorship, textuality, and multilingualism --
_g4.
_tProduction and reception : directors, audiences, and the mass media --
_g5.
_tOrientalism, cultural nationalism, and the erasure of the present --
_g6.
_tMyth, ambivalence, and evil --
_g7.
_tThe ironic history of the nation --
_g8.
_tRealism and the edifice of home --
_g9.
_tAlternative stages : antirealism, gender, and contemporary "folk" theatre --
_g10.
_tIntertexts and countertexts --
_gApp. 1.
_tThe program of the Nehru Shatabdi Natya Samaroh (Nehru Centenary Theatre Festival), New Delhi, 3-17 September 1989 --
_gApp. 2.
_tMajor Indian playwrights and plays, 1950-2004 --
_gApp. 3.
_tMajor Indian theatre directors, 1950-2004 --
_gApp. 4.
_tKey productions of some major post-independence plays --
_gApp. 5.
_tProductions, mainly in Hindi, by three contemporary directors --
_gApp. 6.
_tProductions by ten contemporary directors and theatre groups --
_gApp. 7.
_tModern urban transmissions of the Mahabharata : the principal genres --
_gApp. 8.
_tThe Euro-American intertexts of post-independence drama and theatre --
_gApp. 9.
_tProse narratives on the stage --
_gApp. 10.
_tBrecht intertexts in post-independence Indian theatre.
520 1 _a"Theatres of Independence is the first comprehensive study of drama, theatre, and urban performance in post-independence India. Combining theatre history with theoretical analysis and literary interpretation, Aparna Dharwadker examines the unprecedented conditions for writing and performance that the experience of new nationhood created in a dozen major Indian languages and offers detailed discussions of the major plays, playwrights, directors, dramatic genres, and theories of drama that have made the contemporary Indian stage a vital part of postcolonial and world theatre." "Treating drama and theatre as strategically interrelated activities, the study makes post-independence Indian theatre visible as a multifaceted critical subject to scholars of modern drama, comparative theatre, theatre history, and the new national and postcolonial literatures."--BOOK JACKET.
650 0 _aTheater
_zIndia
_xHistory
_y20th century.
_958539
650 0 _aTheater and society
_zIndia
_xHistory
_y20th century.
_958540
650 0 _aIndic drama
_y20th century
_xHistory and criticism.
_958541
830 0 _aStudies in theatre history and culture.
_958542
900 _bTOC
942 _2ddc
_cBK
_03
948 2 _a20051130
_ba
_cas2107
_dMPS
999 _c22319
_d22319