| 000 | 03410pam a22003134a 4500 | ||
|---|---|---|---|
| 001 | 5560852 | ||
| 005 | 20171011020043.0 | ||
| 007 | Paper bound | ||
| 008 | 040712s2005 maua b 001 0 eng | ||
| 020 | _a9780631230557 | ||
| 040 |
_aDLC _cDLC _dBAKER _dOrLoB-B |
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| 042 | _apcc | ||
| 082 | 0 | 0 |
_a791.436 _222 _bLI- |
| 245 | 0 | 0 |
_aLiterature and film _ba guide to the theory and practice of film adaptation |
| 260 |
_aMalden _bBlackwell _c2005 |
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| 300 |
_axiv,359 p. _c26 cm. |
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| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | 0 |
_tIntroduction : the theory and practice of adaptation / _rRobert Stam -- _g1. _tImprovements and reparations at Mansfield Park / _rTim Watson -- _g2. _tKeeping the carcass in motion : adaptation and transmutations of the national in The last of the Mohicans / _rJacquelyn Kilpatrick -- _g3. _tThe discreet charm of the leisure class : Terence Davies's The house of mirth / _rRichard Porton -- _g4. _tIn search of adaptation : Proust and film / _rMelissa Anderson -- _g5. _tThe grapes of wrath : thematic emphasis through visual style / _rVivian C. Sobchack -- _g6. _tCape Fear and trembling : familial dread / _rKirsten Thompson -- _g7. _tThe carnival of repression : German left-wing politics and The lost honor of Katharina Blum / _rAlexandra Seibel -- _g8. _tSerial time : Bluebeard in Stepford / _rBliss Cua Lim -- _g9. _tBoyz n the hood chronotropes : Spike Lee, Richard Price, and the changing authorship of Clockers / _rPaula J. Massood -- _g10. _tDefusing The English patient / _rPatrick Deer -- _g11. _tCarnivals and goldfish : history and crisis in The butcher boy / _rJessica Scarlata -- _g12. _tPassion or heartburn? : the uses of humor in Esquivel's and Arau's Like water for chocolate / _rDianna C. Niebylski -- _g13. _tBeloved : the adaptation of an American slave narrative / _rMia Mask -- _g14. _tOral traditions, literature, and cinema in Africa / _rMbye Cham -- _g15. _tMemory and history in the politics of adaptation : revisiting the partition of India in Tamas / _rRanjani Mazumdar -- _g16. _tThe written scene : writers as figures of cinematic redemption / _rPaul Arthur. |
| 520 | 1 | _a"Literature and Film is a collection of essays that chart the history and confluence of literature and film. Bringing together the very latest scholarship in the field, this guide contains astute and readable contributions - both theoretical and thematic - on the translation of literary into filmic texts." "Subjects range from established classics including The Last of the Mohicans, through consecrated genre works like Cape Fear, to contemporary classics such as The English Patient and Beloved. Almost all of the essays are originals, especially composed for this volume, and written by leading international scholars on both literature and film. The book features an introductory essay tracing the history and practice of adaptation, providing the ideal entry point for students or scholars exploring this dynamic and multifaceted field."--BOOK JACKET. | |
| 650 | 0 |
_aFilm adaptations _xHistory and criticism. _957093 |
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| 650 | 0 |
_aMotion pictures and literature. _957094 |
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| 700 | 1 |
_aStam, Robert _957095 |
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| 700 | 1 |
_aRaengo, Alessandra _957096 |
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| 856 | 4 | 1 |
_3Table of contents _uhttp://www.loc.gov/catdir/toc/ecip0420/2004015927.html |
| 900 | _bTOC | ||
| 942 |
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| 948 | 1 |
_a20061116 _bc _cdc21 _dMPS |
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| 999 |
_c21683 _d21683 |
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