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Hollywood on the Hudson : film and television in New York from Griffith to Sarnoff / Richard Koszarski.

By: Material type: TextTextSeries: ACLS Humanities E-BookPublisher: New Brunswick, N.J. : Rutgers University Press, ©2008Description: 1 online resource (x, 577 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780813545523
  • 0813545528
  • 1281801658
  • 9781281801654
Subject(s): Genre/Form: Additional physical formats: Print version:: Hollywood on the Hudson.DDC classification:
  • 384.809747 22
LOC classification:
  • PN1993.5.U77 K67 2008eb
Online resources:
Contents:
Introduction -- New York pioneer -- Paramount on Long Island -- Freelance filmmaking -- Studio city -- Edison's dream -- Paramount speaks -- Talkies for everyone -- Independent alternatives -- Cartoons in the city -- Film and reality -- Multicultural revival -- A miniature Hollywood -- Radio visions -- Live from New York -- "We have a city here."
Summary: Thomas Edison invented his motion picture system in New Jersey in the 1890s, and within a few years most American filmmakers could be found within a mile or two of the Hudson River. They planted themselves here because they needed the artistic and entrepreneurial energy that D.W. Griffith realized New York had in abundance. But as the going rate for land and labor skyrocketed and their business grew more industrialized, most of them moved out. The way most historians explain it, the role of New York in the development of American film ends here. In Hollywood on the Hudson, Richard Koszarski r.
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Includes bibliographical references (pages 499-553) and indexes.

Introduction -- New York pioneer -- Paramount on Long Island -- Freelance filmmaking -- Studio city -- Edison's dream -- Paramount speaks -- Talkies for everyone -- Independent alternatives -- Cartoons in the city -- Film and reality -- Multicultural revival -- A miniature Hollywood -- Radio visions -- Live from New York -- "We have a city here."

Thomas Edison invented his motion picture system in New Jersey in the 1890s, and within a few years most American filmmakers could be found within a mile or two of the Hudson River. They planted themselves here because they needed the artistic and entrepreneurial energy that D.W. Griffith realized New York had in abundance. But as the going rate for land and labor skyrocketed and their business grew more industrialized, most of them moved out. The way most historians explain it, the role of New York in the development of American film ends here. In Hollywood on the Hudson, Richard Koszarski r.

Print version record.

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