Normal view MARC view ISBD view

Chapter Fonti europee e russe in Ruslan e Ljudmila di Puškin

By:

STRANO, Giacoma [auth]

Material type: Text

TextLanguage: Italian Series: Publication details: Florence Firenze University Press 2019Description: 1 electronic resource (9 p.)Content type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

978-88-6453-910-2.24
9788864539102

Subject(s):

Online resources:

Summary: In Ruslan i Ljudmila, Puškin arranges European and Russian sources in a particular dialectic system that may be seen as illustrative of his poetics. Specifically, the poema's dedication and its theme recall the novellas of Giambattista Casti; the narrating cat in the prologue may be connected to the celebrated fables of Tieck, Perrault, and Hoffmann; events and battle scenes in the text derive from the chronicles; and Ruslan's deeds from lubočnaja literatura. Images of the "lascivious East", together with other eroticized descriptive passages point to the well-known models of Moore, Byron, Goethe, and Parny, while in the weave of Ruslan i Ljudmila's individual cantos, we find quotations from Macpherson, Ozerov, and Tasso.

Item type:

Tags from this library: No tags from this library for this title. Log in to add tags.

Average rating: 0.0 (0 votes)

Holdings
Item type	Home library	Collection	Call number	Materials specified	Status	Date due	Barcode
Electronic-Books	OPJGU Sonepat- Campus	E-Books Open Access			Available

Open Access Unrestricted online access star

In Ruslan i Ljudmila, Puškin arranges European and Russian sources in a particular dialectic system that may be seen as illustrative of his poetics. Specifically, the poema's dedication and its theme recall the novellas of Giambattista Casti; the narrating cat in the prologue may be connected to the celebrated fables of Tieck, Perrault, and Hoffmann; events and battle scenes in the text derive from the chronicles; and Ruslan's deeds from lubočnaja literatura. Images of the "lascivious East", together with other eroticized descriptive passages point to the well-known models of Moore, Byron, Goethe, and Parny, while in the weave of Ruslan i Ljudmila's individual cantos, we find quotations from Macpherson, Ozerov, and Tasso.