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The South in Black and white : race, sex, and literature in the 1940s / McKay Jenkins.

By: Material type: TextTextPublication details: Chapel Hill : University of North Carolina Press, ©1999.Description: 1 online resource (ix, 215 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 080787602X
  • 9780807876022
  • 0807824917
  • 9780807824917
  • 0807847771
  • 9780807847770
Subject(s): Genre/Form: Additional physical formats: Print version:: South in Black and white.DDC classification:
  • 810.9/975/09044 21
LOC classification:
  • PS261 .J46 1999
Other classification:
  • 18.06
Online resources:
Contents:
Whatever else the true American is, he is also somehow black -- Moving among the living as ghosts: a historical overview -- Private violence desirable: race, sex, and sadism in Wilbur J. Cash's The mind of the South -- Men of honor and pygmy tribes: metaphors of race and cultural decline in William Alexander Percy's Lanterns on the levee -- I know the fears by heart: segregation as metaphor in the work of Lillian Smith -- The sadness made her feel queer: race, gender, and the grotesque in the early writings of Carson McCullers -- Thirteen ways of looking at whiteness.
Action note:
  • digitized 2010 HathiTrust Digital Library committed to preserve
Summary: Annotation Discusses the changing nature of racial politics in the 1940s South as revealed in the works of four white writers who themselves had uneasy relationships with their own white culture: W.J. Cash, William Alexander Percy, Lillian Smith, and Carson McCullers.
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Includes bibliographical references (pages 207-212) and index.

Whatever else the true American is, he is also somehow black -- Moving among the living as ghosts: a historical overview -- Private violence desirable: race, sex, and sadism in Wilbur J. Cash's The mind of the South -- Men of honor and pygmy tribes: metaphors of race and cultural decline in William Alexander Percy's Lanterns on the levee -- I know the fears by heart: segregation as metaphor in the work of Lillian Smith -- The sadness made her feel queer: race, gender, and the grotesque in the early writings of Carson McCullers -- Thirteen ways of looking at whiteness.

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Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL

Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. MiAaHDL

http://purl.oclc.org/DLF/benchrepro0212

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Print version record.

Annotation Discusses the changing nature of racial politics in the 1940s South as revealed in the works of four white writers who themselves had uneasy relationships with their own white culture: W.J. Cash, William Alexander Percy, Lillian Smith, and Carson McCullers.

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