Gay artists in modern American culture : an imagined conspiracy / Michael S. Sherry.
Material type: TextSeries: Caravan BookPublication details: Chapel Hill : University of North Carolina Press, ©2007.Description: 1 online resource (292 pages) : illustrationsContent type:- text
- computer
- online resource
- 9780807885895
- 0807885894
- Homosexuality and art -- United States -- History -- 20th century
- Arts, American -- 20th century
- Homosexuality -- United States
- Homosexualité et art -- États-Unis -- Histoire -- 20e siècle
- Arts américains -- 20e siècle
- Homosexualité -- États-Unis
- ART -- Subjects & Themes -- General
- Arts, American
- Homosexuality
- Homosexuality and art
- United States
- 1900-1999
- 704/.086640973 22
- NX180.H6 S54 2007eb
- Lambda Literary Award, 2008
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|---|
Electronic-Books | OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references (pages 239-270) and index.
Introduction: Nixon, myself, and others -- Discovery -- Explanation -- Frenzy -- Barber at the met -- Aftermath.
Lambda Literary Award, 2008
Print version record.
Today it is widely recognized that gay men played a prominent role in defining the culture of mid-20th-century America, with such icons as Tennessee Williams, Edward Albee, Aaron Copland, Samuel Barber, Montgomery Clift, and Rock Hudson defining much of what seemed distinctly "American" on the stage and screen. Even though few gay artists were "out," their sexuality caused significant anxiety during a time of rampant antihomosexual attitudes. Michael Sherry offers a sophisticated analysis of the tension between the nation's simultaneous dependence on and fear of the cultura
English.
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