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Gay artists in modern American culture : an imagined conspiracy / Michael S. Sherry.

By: Material type: TextTextSeries: Caravan BookPublication details: Chapel Hill : University of North Carolina Press, ©2007.Description: 1 online resource (292 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780807885895
  • 0807885894
Subject(s): Genre/Form: Additional physical formats: Print version:: Gay artists in modern American culture.DDC classification:
  • 704/.086640973 22
LOC classification:
  • NX180.H6 S54 2007eb
Online resources:
Contents:
Introduction: Nixon, myself, and others -- Discovery -- Explanation -- Frenzy -- Barber at the met -- Aftermath.
Awards:
  • Lambda Literary Award, 2008
Summary: Today it is widely recognized that gay men played a prominent role in defining the culture of mid-20th-century America, with such icons as Tennessee Williams, Edward Albee, Aaron Copland, Samuel Barber, Montgomery Clift, and Rock Hudson defining much of what seemed distinctly "American" on the stage and screen. Even though few gay artists were "out," their sexuality caused significant anxiety during a time of rampant antihomosexual attitudes. Michael Sherry offers a sophisticated analysis of the tension between the nation's simultaneous dependence on and fear of the cultura
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Item type Home library Collection Call number Materials specified Status Date due Barcode
Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references (pages 239-270) and index.

Introduction: Nixon, myself, and others -- Discovery -- Explanation -- Frenzy -- Barber at the met -- Aftermath.

Lambda Literary Award, 2008

Print version record.

Today it is widely recognized that gay men played a prominent role in defining the culture of mid-20th-century America, with such icons as Tennessee Williams, Edward Albee, Aaron Copland, Samuel Barber, Montgomery Clift, and Rock Hudson defining much of what seemed distinctly "American" on the stage and screen. Even though few gay artists were "out," their sexuality caused significant anxiety during a time of rampant antihomosexual attitudes. Michael Sherry offers a sophisticated analysis of the tension between the nation's simultaneous dependence on and fear of the cultura

English.

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