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Sites of autopsy in contemporary culture / Elizabeth Klaver.

By: Material type: TextTextSeries: SUNY series in postmodern culturePublication details: Albany, NY : State University of New York Press, ©2005.Description: 1 online resource (xi, 180 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 1423744101
  • 9781423744108
  • 0791464253
  • 9780791464250
  • 0791464261
  • 9780791464267
  • 9780791483428
  • 0791483428
Subject(s): Genre/Form: Additional physical formats: Print version:: Sites of autopsy in contemporary culture.DDC classification:
  • 616.07/59 22
LOC classification:
  • RA1063.4 .K53 2005eb
NLM classification:
  • 2005 G-864
  • QZ 35
Online resources:
Contents:
Machine generated contents note: 1. Autopsy : a context -- 2. Performance, autopsy, and the performative -- 3. Autopsy and the subject, or, what the dead saw -- 4. Autopsy and the social : the case of John F. Kennedy.
Summary: "In this interdisciplinary study, Elizabeth Klaver considers how autopsies are performed in a variety of contexts, from the "real" thing in hospitals and county morgues to various depictions in paintings, novels, plays, films, and television shows. Autopsies can serve a variety of pedagogical, legal, scientific, and social functions, and the autopsied cadaver, Klaver shows, has lately become one of the most spectacular bodies offered up to the public on film, television, and the Internet. Setting her discussion within the history of the modern autopsy, and including the narrative of her own attendance at a medical autopsy, Klaver makes the autopsy readable in a number of diverse venues, from Rembrandt's The Anatomy Lecture and Vesalius's Fabrica to The Silence of the Lambs, The X-Files, and CSI. Moving from the actual autopsy itself to its broader symbolic ramifications, Klaver addresses questions as disparate as the social constructedness of the body, the perception and treatment of death under late capitalism, and the ubiquity of paranoia in contemporary culture."--Jacket.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references and index.

Print version record.

Machine generated contents note: 1. Autopsy : a context -- 2. Performance, autopsy, and the performative -- 3. Autopsy and the subject, or, what the dead saw -- 4. Autopsy and the social : the case of John F. Kennedy.

"In this interdisciplinary study, Elizabeth Klaver considers how autopsies are performed in a variety of contexts, from the "real" thing in hospitals and county morgues to various depictions in paintings, novels, plays, films, and television shows. Autopsies can serve a variety of pedagogical, legal, scientific, and social functions, and the autopsied cadaver, Klaver shows, has lately become one of the most spectacular bodies offered up to the public on film, television, and the Internet. Setting her discussion within the history of the modern autopsy, and including the narrative of her own attendance at a medical autopsy, Klaver makes the autopsy readable in a number of diverse venues, from Rembrandt's The Anatomy Lecture and Vesalius's Fabrica to The Silence of the Lambs, The X-Files, and CSI. Moving from the actual autopsy itself to its broader symbolic ramifications, Klaver addresses questions as disparate as the social constructedness of the body, the perception and treatment of death under late capitalism, and the ubiquity of paranoia in contemporary culture."--Jacket.

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