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Readings in renaissance women's drama : criticism, history, and performance, 1594-1998 / edited by S.P. Cerasano and Marion Wynne-Davies.

Contributor(s): Material type: TextTextPublication details: London ; New York : Routledge, 1998.Description: 1 online resource (xiv, 322 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 0203049063
  • 9780203049068
  • 0415164427
  • 9780415164429
  • 0415164435
  • 9780415164436
  • 1134711867
  • 9781134711864
  • 1134711875
  • 9781134711871
  • 0203273656
  • 9780203273654
  • 1280329882
  • 9781280329883
Subject(s): Genre/Form: Additional physical formats: Print version:: Readings in renaissance women's drama.DDC classification:
  • 822/.3099287 21
LOC classification:
  • PR658.W6 R43 1998eb
Online resources:
Contents:
pt. 1. Early commentaries. Mary Sidney is praised to Elizabeth I (1594). ; Samuel Daniel to Mary Sidney (1594). ; John Davies of Hereford commends Mary Sidney and Elizabeth Cary (1612). ; William Sheares to Elizabeth Cary (1633). ; Jonson and Wroth (1640). ; Elizabeth Cary's Biography (1643-9). ; Celebrating several ladies (1752). ; The Cavalier's Lady and her plays (1872). ; The first scholarly edition of Mary Sidney's Antonie (1897). ; Lumley's play first published (1909). ; The first modern edition of Mariam (1914). ; Early critical recognition of Elizabeth Cary and Margaret Cavendish (1920). ; Woolf on Margaret Cavendish (1925). ; T.S. Eliot on Senecan Drama (1927). ; Virginia Woolf on 'Judith Shakespeare' (1929). ; The first edition of The Concealed Fancies (1931). ; Cary and 'A Woman's Duty' (1940). ; Mary Sidney: Philip's Sister (1957). -- pt. II. Contexts and issues. Women playwrights in England: Renaissance noblewomen / Nancy Cotton. ; The Arts at the English Court of Anna of Denmark / Leeds Barroll. ; 'My seeled chamber and dark parlour room': the English country house and Renaissance women dramatists / Marion Wynne-Davies. ; Women as patrons of English Renaissance drama / David M. Bergeron. ; Women as spectators, spectacles, and paying customers / Jean E. Howard. ; Women as theatrical investors: three shareholders and the second Fortune Playhouse / S.P. Gerasano. ; 'Why may not a lady write a good play?': plays by Early Modern women reassessed as performance texts / Gweno Williams. -- pt. III. Early Modern women dramatists. 'We princes, I tell you, are set on stages': Elizabeth I and dramatic self-representation / Carole Levin. ; Joanna Lumley (1537?-1576/77) / Elaine V. Beilin. ; Jane Lumley's Iphigenia at Aulis: multum in parvo, or, less is more / Stephanie Hodgson-Wright. ; 'Patronesse of the Muses' / Margaret P. Hannay. ; Mary Herbert: Englishing a purified Cleopatra / Tina Krontiris. ; Elizabeth Cary (1585-1639) / Elaine V. Beilin. ; The spectre of resistance: The Tragedy of Mariam (1613) / Margaret W. Ferguson. ; Resisting tyrants: Elizabeth Cary's tragedy / Barbara Kiefer Lewalski. ; An unknown continent: Lady Mary Wroth's forgotten pastoral drama, 'Loves Victorie' / Margaret Anne McLaren. ; 'Like one in a gay masque': the Sidney cousins in the theaters of court and country / Gary Waller. ; 'To be your daughter in your pen': the social functions of literature in the writings of Lady Elizabeth Brackley and Lady Jane Cavendish / Margaret J.M. Ezell. ; 'She gave you the civility of the house': household performance in The Concealed Fancies / Alison Findlay. ; 'My brain the stage': Margaret Cavendish and the fantasy of female performance / Sophie Tomlinson. ; 'A woman write a play!': Jonsonian strategies and the dramatic writings of Margaret Cavendish; or, did the duchess feel the anxiety of influence? / Julie Sanders.
Summary: Readings in Renaissance Women's Drama is the most complete sourcebook for the study of this growing area of inquiry. It brings together, for the first time, a collection of the key critical commentaries and historical essays - both classic and contemporary - on Renaissance women's drama. Specifically designed to provide a comprehensive overview for students, teachers and scholars, this collection combines: * this century's key critical essays on drama by early modern women by early critics such as Virginia Woolf and T.S. Eliot * specially-commissioned new essays by some of tod.
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Includes bibliographical references (pages 310-314) and index.

pt. 1. Early commentaries. Mary Sidney is praised to Elizabeth I (1594). ; Samuel Daniel to Mary Sidney (1594). ; John Davies of Hereford commends Mary Sidney and Elizabeth Cary (1612). ; William Sheares to Elizabeth Cary (1633). ; Jonson and Wroth (1640). ; Elizabeth Cary's Biography (1643-9). ; Celebrating several ladies (1752). ; The Cavalier's Lady and her plays (1872). ; The first scholarly edition of Mary Sidney's Antonie (1897). ; Lumley's play first published (1909). ; The first modern edition of Mariam (1914). ; Early critical recognition of Elizabeth Cary and Margaret Cavendish (1920). ; Woolf on Margaret Cavendish (1925). ; T.S. Eliot on Senecan Drama (1927). ; Virginia Woolf on 'Judith Shakespeare' (1929). ; The first edition of The Concealed Fancies (1931). ; Cary and 'A Woman's Duty' (1940). ; Mary Sidney: Philip's Sister (1957). -- pt. II. Contexts and issues. Women playwrights in England: Renaissance noblewomen / Nancy Cotton. ; The Arts at the English Court of Anna of Denmark / Leeds Barroll. ; 'My seeled chamber and dark parlour room': the English country house and Renaissance women dramatists / Marion Wynne-Davies. ; Women as patrons of English Renaissance drama / David M. Bergeron. ; Women as spectators, spectacles, and paying customers / Jean E. Howard. ; Women as theatrical investors: three shareholders and the second Fortune Playhouse / S.P. Gerasano. ; 'Why may not a lady write a good play?': plays by Early Modern women reassessed as performance texts / Gweno Williams. -- pt. III. Early Modern women dramatists. 'We princes, I tell you, are set on stages': Elizabeth I and dramatic self-representation / Carole Levin. ; Joanna Lumley (1537?-1576/77) / Elaine V. Beilin. ; Jane Lumley's Iphigenia at Aulis: multum in parvo, or, less is more / Stephanie Hodgson-Wright. ; 'Patronesse of the Muses' / Margaret P. Hannay. ; Mary Herbert: Englishing a purified Cleopatra / Tina Krontiris. ; Elizabeth Cary (1585-1639) / Elaine V. Beilin. ; The spectre of resistance: The Tragedy of Mariam (1613) / Margaret W. Ferguson. ; Resisting tyrants: Elizabeth Cary's tragedy / Barbara Kiefer Lewalski. ; An unknown continent: Lady Mary Wroth's forgotten pastoral drama, 'Loves Victorie' / Margaret Anne McLaren. ; 'Like one in a gay masque': the Sidney cousins in the theaters of court and country / Gary Waller. ; 'To be your daughter in your pen': the social functions of literature in the writings of Lady Elizabeth Brackley and Lady Jane Cavendish / Margaret J.M. Ezell. ; 'She gave you the civility of the house': household performance in The Concealed Fancies / Alison Findlay. ; 'My brain the stage': Margaret Cavendish and the fantasy of female performance / Sophie Tomlinson. ; 'A woman write a play!': Jonsonian strategies and the dramatic writings of Margaret Cavendish; or, did the duchess feel the anxiety of influence? / Julie Sanders.

Print version record.

Readings in Renaissance Women's Drama is the most complete sourcebook for the study of this growing area of inquiry. It brings together, for the first time, a collection of the key critical commentaries and historical essays - both classic and contemporary - on Renaissance women's drama. Specifically designed to provide a comprehensive overview for students, teachers and scholars, this collection combines: * this century's key critical essays on drama by early modern women by early critics such as Virginia Woolf and T.S. Eliot * specially-commissioned new essays by some of tod.

English.

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