TY - BOOK AU - Gardner,Jared TI - Projections: comics and the history of twenty-first-century storytelling T2 - Post 45 SN - 9780804781787 AV - PN6725 .G36 2012eb U1 - 741.5/973 23 PY - 2012/// CY - Stanford, CA PB - Stanford University Press KW - Comic books, strips, etc KW - United States KW - History and criticism KW - Motion pictures and comic books KW - Narration (Rhetoric) KW - Cinéma et bandes dessinées KW - États-Unis KW - Narration KW - ART KW - Techniques KW - Drawing KW - bisacsh KW - fast KW - Bandes dessinées KW - 1870-1914 KW - Histoire et critique KW - ram KW - 20e siècle KW - Electronic books KW - Criticism, interpretation, etc N1 - Includes bibliographical references and index; 1; Fragments of Modernity, 1889-1920 --; 2; Serial Pleasures, 1907-1938 --; 3; Fan-Addicts and the Comic Book, 1938-1955 --; 4; First-Person Graphic, 1959-2010 --; 5; Archives and Collectors, 1990-2010 --; 6; Coda: Comics, Film, and the Future of Twenty-First-Century Storytelling --; Notes N2 - Annotation; When Art Spiegelman'sMauswon the Pulitzer Prize in 1992, it marked a new era for comics. Comics are now taken seriously by the same academic and cultural institutions that long dismissed the form. And the visibility of comics continues to increase, with alternative cartoonists now published by major presses and more comics-based films arriving on the screen each year. Projectionsargues that the seemingly sudden visibility of comics is no accident. Beginning with the parallel development of narrative comics at the turn of the 20th century, comics have long been a form that invitesindeed requiresreaders to help shape the stories being told. Today, with the rise of interactive media, the creative techniques and the reading practices comics have been experimenting with for a century are now in universal demand. Recounting the history of comics from the nineteenth-century rise of sequential comics to the newspaper strip, through comic books and underground comix, to the graphic novel and webcomics, Gardner shows why they offer the best models for rethinking storytelling in the twenty-first century. In the process, he reminds us of some beloved characters from our past and present, including Happy Hooligan, Krazy Kat, Crypt Keeper, and Mr. Natural UR - https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=713497 ER -