TY - BOOK AU - Sabbadini,Andrea TI - The couch and the silver screen: psychoanalytic reflections on European cinema T2 - The new library of psychoanalysis SN - 0203013913 AV - PN1993.5.E8 C68 2003eb U1 - 791.43/75/019 21 PY - 2003/// CY - Hove, New York PB - Brunner-Routledge KW - Motion pictures KW - Europe KW - Psychological aspects KW - Psychoanalysis and motion pictures KW - Psychoanalytic interpretation KW - Motion Pictures as Topic KW - Psychoanalytic Interpretation KW - Psychanalyse et cinéma KW - Interprétation psychanalytique KW - PERFORMING ARTS KW - Film & Video KW - History & Criticism KW - bisacsh KW - fast KW - Psychoanalyse KW - gnd KW - Film KW - Films KW - gtt KW - Music, Dance, Drama & Film KW - hilcc KW - Electronic books N1 - Includes bibliographical references and indexes; Foreword; Laura Mulvey --; Introduction; Andrea Sabbadini --; SET AND STAGE --; Inner and outer worlds of the filmmaker's temporary social structure; Bernardo Bertolucci; Fiona Shaw; Chris Mawson --; One in the eye from Sam: Samuel Beckett's Film (1964) and his contribution to our vision in theatre, cinema and psychoanalysis; Ian Christie; Juliet Stevenson; Helen Taylor Robinson --; WORKING THROUGH TRAUMA --; Sons and fathers: a room of their own -- Nanni Moretti's The son's room (2001); Nanni Moretti [and others] --; Witness and persecution in two short films: Miguel Sapochnik's The dreamer (2001) and Lindy Heymann's Kissing Buba (2001); Jed Sekoff --; Post-postmodern Walkyrie: psychoanalytic considerations on Tom Tykwer's Run, Lola, run (1998); Annegret Mahler-Bungers --; Thomas Vinterberg's Festen (1998): an attempt to avoid madness through denunciation; Liliana Pedrón de Martín --; István Szabó's Sunshine (1999): the cinematic representation of historical and familial trauma; Diana Diamond --; HORROR PERSPECTIVES --; Notes on the relevance of psychoanalytic theory to Euro-horror cinema; Steven Jay Schneider --; Dario Argento's Phenomena (1985): a psychoanalytic perspective on the 'horror film' genre and adolescent development; Donald Campbell --; Freedom through re-introjection: a Kleinian perspective on Dominik Moll's Harry: he's here to help (2000); Candy Aubry --; Cinema, horror and the abominations of hell: Carl-Theodor Dreyer's Vampyr (1931) and Lucio Fulci's The beyond (1981); Michael Grant --; DOCUMENTING INTERNAL WORLDS --; Narratives and documentaries: an encounter with Michael Apted and his films; Michael Apted; Helen Taylor Robinson --; Cinematic dream-work of Ingmar Bergman's Wild strawberries (1957); Elizabeth Cowie --; Film as an abreaction of totalitarianism: Vinko Brešan's Marshal Tito's spirit (1999); Ljiljana Filipović --; Documentary directors and their protagonists: a transferential / countertransferential relationship? Timna Rosenheimer's Fortuna (2000) and Michael Aviad's Ever shot anyone? (1995); Emanuel Berman; Timna Rosenheimer; Michal Aviad --; Filming psychoanalysis: feature or documentary? Two contributions; Hugh Brody; Michael Brearley N2 - The Couch and the Silver Screen is a collection of original contributions which explore European cinema from psychoanalytic perspectives. Both classic and contemporary films are presented and analysed by a variety of authors, including leading cinema historians and theorists, psychoanalysts with a specific expertise in the interpretation of films, as well as the filmmakers themselves. This composite approach offers a fascinating insight into the world of cinema. The Couch and the Silver Screen is illustrated with stills throughout and Andrea Sabbadini's introduction provides a theoretical and h UR - https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=134820 ER -