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Film handbook

By: Contributor(s): Material type: TextTextSeries: Media practicePublication details: London Routledge 2013Description: ix,323p. illustrations 26 cmISBN:
  • 9780415557610
Subject(s): DDC classification:
  • 791.43023 22 VA-F
LOC classification:
  • PN1995.9.P7 D42 2013
Contents:
Introduction -- Film language and aestetics. Renaissance of (digital) film -- Developing mise-en-scene -- Directing the actor -- Cinematography: painting with motion -- Sound underpinning image -- Editing: temporality & structure -- Film theory in practice. Reading the screen -- Spectatorship and audience -- Contemporary cinema -- Eisenstein and Bazin: formalism & realism, two modes of practice -- Genre -- Guerrilla filmmaking: practice as subversion. Experimentation and the short film format -- Working with non-professional actors -- The avant-garde, subtext, & symbolism -- Documentary as resistance -- Persistence of vision. screenwriting: from script to screen / John Brice -- Soundtracks: using music in film / Paul Rutter -- Post film: technology and the digital film -- MERGING AND IMMERGING MEDIA: DEVELOPING A PROFESSIONAL SPECIALISM. Post-film: production, distribution and consumption in the digital age -- Mapping a career path.
Item type: Print
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Holdings
Item type Home library Collection Shelving location Call number Materials specified Status Notes Date due Barcode
Print Print OPJGU Sonepat- Campus General Books Main Library 791.43023 VA-F (Browse shelf(Opens below)) Checked out Book Replaced by 20141177 06/09/2023 013776

Includes filmography.

Includes bibliographical references (pages 301-307) and index.

Introduction -- Film language and aestetics. Renaissance of (digital) film -- Developing mise-en-scene -- Directing the actor -- Cinematography: painting with motion -- Sound underpinning image -- Editing: temporality & structure -- Film theory in practice. Reading the screen -- Spectatorship and audience -- Contemporary cinema -- Eisenstein and Bazin: formalism & realism, two modes of practice -- Genre -- Guerrilla filmmaking: practice as subversion. Experimentation and the short film format -- Working with non-professional actors -- The avant-garde, subtext, & symbolism -- Documentary as resistance -- Persistence of vision. screenwriting: from script to screen / John Brice -- Soundtracks: using music in film / Paul Rutter -- Post film: technology and the digital film -- MERGING AND IMMERGING MEDIA: DEVELOPING A PROFESSIONAL SPECIALISM. Post-film: production, distribution and consumption in the digital age -- Mapping a career path.

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