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Haunting Bollywood : gender, genre, and the supernatural in Hindi commercial cinema / Meheli Sen.

By: Material type: TextTextLanguage: English Publication details: Hyderabad : Oriental Blackswan, 2017.ISBN:
  • 9781477311585
Subject(s): Summary: "From Gothic ghost films of the 1950s to snake films of the 1970s and 1980s to today's globally influenced Zombie and vampire films, Meheli Sen explores what the supernatural is and the questions it raises about film form, history, modernity, and gender in South Asian public cultures. Contrary to the widely held belief that these are uniquely œlocal forms, she shows that the supernatural is Dispersed among multiple genres and is constantly in conversation with global cinematic conventions; simultaneously, the supernatural is an especially flexible impulse that pushes Hindi films into new formal and stylistic territories. Sen also argues that gender is a particularly accommodating arena in which the supernatural plays out its most basic compulsions; thus, the interface between gender and genre provides a productive lens into Hindi cinemas negotiation of the modern and the global. Haunting Bollywood reveals that the supernatural unruly energies continually resist being contained, even as they engage with and sometimes subvert Hindi cinemas most enduring pleasures, from songs and stars, to myth and melodrama. Haunting Bollywood will be of interest to scholars and students of literary criticism, postcolonial studies, queer theory, history, and cultural studies.--
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Print Print OPJGU Sonepat- Campus Main Library General Books 791.430954 SE-H (Browse shelf(Opens below)) Available 153337

"From Gothic ghost films of the 1950s to snake films of the 1970s and 1980s to today's globally influenced Zombie and vampire films, Meheli Sen explores what the supernatural is and the questions it raises about film form, history, modernity, and gender in South Asian public cultures. Contrary to the widely held belief that these are uniquely œlocal forms, she shows that the supernatural is Dispersed among multiple genres and is constantly in conversation with global cinematic conventions; simultaneously, the supernatural is an especially flexible impulse that pushes Hindi films into new formal and stylistic territories. Sen also argues that gender is a particularly accommodating arena in which the supernatural plays out its most basic compulsions; thus, the interface between gender and genre provides a productive lens into Hindi cinemas negotiation of the modern and the global. Haunting Bollywood reveals that the supernatural unruly energies continually resist being contained, even as they engage with and sometimes subvert Hindi cinemas most enduring pleasures, from songs and stars, to myth and melodrama. Haunting Bollywood will be of interest to scholars and students of literary criticism, postcolonial studies, queer theory, history, and cultural studies.--

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