The new screen ecology in India / Smith Mehta.
Material type: TextLanguage: English Publication details: London : The British Film Institute, Bloomsbury, 2023.ISBN:- 9781839025716
Item type | Home library | Collection | Call number | Status | Date due | Barcode | |
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OPJGU Sonepat- Campus Main Library | General Books | 791.430954 ME-N (Browse shelf(Opens below)) | Available | 151976 |
Browsing OPJGU Sonepat- Campus shelves, Collection: General Books Close shelf browser (Hides shelf browser)
791.430954 MA- Making meaning in Indian cinema / | 791.430954 MA-A Art cinema and India's forgotten futures : film and history in the postcolony / | 791.430954 MA-V A very old machine : the many origins of the cinema in India / | 791.430954 ME-N The new screen ecology in India / | 791.430954 MU-F Filming horror Hindi cinema, ghosts and ideologies | 791.430954 NA- Narratives of Indian cinema / | 791.430954 NA-T Tollygunge to Tollywood : the Bengali film industry reimagined / |
"New Screen Ecology in India is an open access book that provides an in depth exploration of the digital transformation of the Indian media industry. Smith Mehta takes a deep dive into the world of social media platforms and their impact on contemporary film and television production, arguing that they have fundamentally shifted the creator dynamics of these industries. Through first-hand research with creators, platform and portal executives, and intermediaries such as talent agents and multi-channel networks, Mehta develops the concept of the ‘new screen ecology’. He reveals how the Indian screen industries are affected by the social relations between these agents, and how industrial practices are blurring the amateur-professional divide through creator and content interdependencies. Mehta goes beyond theoretical analysis by interrogating the production practices of 13 different platforms and portals, including Hotstar, Netflix, YouTube, and TVFPlay. He analyses the extent to which they benefit from the lack of censorship and restrictive industrial practices that are characteristic of traditional media structures. By doing so, he provides a unique and insightful examination of the dynamics of digital transformation in the screen industries in a region-specific context. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. This book has been published open access thanks to the financial support of the Open Access Book Fund of the University of Groningen."--
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