Hindi films songs and cinema / Anna Morcom.
Material type:
TextLanguage: English Series: SOAS musicology seriesPublication details: New York : Routledge, 2007.ISBN: - 9781472478092
| Item type | Home library | Collection | Call number | Status | Date due | Barcode | |
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OPJGU Sonepat- Campus Main Library | Textbooks | 782.4215420954 MO-H (Browse shelf(Opens below)) | Available | 150445 | ||
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OPJGU Sonepat- Campus Main Library | Textbooks | 782.4215420954 MO-H (Browse shelf(Opens below)) | Available | 150446 |
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| 780.954 NE-L The life of music in north India : the organization of an artistic tradition / | 781.264 BA-N NAD | 782.4215420954 MO-H Hindi films songs and cinema / | 782.4215420954 MO-H Hindi films songs and cinema / | 791.43015 MO-H How to read a film the world of movies, media, and multimedia, language, history, theory | 791.43028092 DA-A Amitabh the making of a superstar | 791.43028092 DA-A Amitabh the making of a superstar |
"Since their beginnings in the 1930s, Hindi films and film songs have dominated Indian public culture in India, and have also made their presence felt strongly in many global contexts. Hindi film songs have been described on the one hand as highly standardized and on the other as highly eclectic. Anna Morcom addresses many of the paradoxes eccentricities and myths of not just Hindi film songs but also of Hindi cinema by analysing film songs in cinematic context. While the presence of songs in Hindi films is commonly dismissed as ’purely commercial’, this book demonstrates that in terms of the production process, musical style, and commercial life, it is most powerfully the parent film that shapes and defines the film songs and their success rather than the other way round. While they constitute India’s still foremost genre of popular music, film songs are also situational, dramatic sequences, inherently multi-media in style and conception. This book is uniquely grounded in detailed musical and visual analysis of Hindi film songs, song sequences and films as well as a wealth of ethnographic material from the Hindi film and music industries. Its findings lead to highly novel ways of viewing Hindi film songs, their key role in Hindi cinema, and how this affects their wider life in India and across the globe. It will be indispensable to scholars seeking to understand both Hindi film songs and Hindi cinema. It also forms a major contribution to popular music, popular culture, film music studies and ethnomusicology, tackling pertinent issues of cultural production, (multi-)media, and the cross-cultural use of music in Hindi cinema. The book caters for both music specialists as well as a wider audience."--
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