Amba : the question of red / Lakshmi Pamutjak.
Material type: TextLanguage: English Publication details: New Delhi : Speaking Tiger, 2014.ISBN:- 9789385755309
Item type | Home library | Collection | Call number | Status | Date due | Barcode | |
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OPJGU Sonepat- Campus Main Library | General Books | 899.22133 PA-A (Browse shelf(Opens below)) | Available | 148143 |
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895.735 KA-H Human acts a novel | 895.735 KA-V Vegetarian a novel | 899.22132 LA-I Indonesia out of exile : how Pramoedya’s Buru Quartet killed a dictatorship / | 899.22133 PA-A Amba : the question of red / | 899.281109 TH-L Like tigers around a piece of meat the Baba style of dondang sayang | 900 BE-C Comic in Kafka | 900 BL-S Studying history |
"Amba signals Laksmi Pamuntjak’s bravery and scope as a writer and may yet prove to be a landmark work of Southeast Asian writing.’ —Tash Aw, author of Five Star Billionaire and The Harmony Silk Factory Myth, culture and politics weave together in a beguiling tale of profound love. Named after a tragic figure in Indonesia’s and India’s shared mythology, Amba spends her lifetime trying to invent a story she can call her own. When she meets two suitors who fit perfectly into her namesake’s myth, Amba cannot help but feel that fate is teasing her. Salwa, respectful to a fault, pledges to honour and protect her, no matter what. Bhisma, a sophisticated European-trained doctor, offers her sensual pleasures and a world of ideas. In this devastating novel of love and redemption, empathy and forgiveness, Amba, Bhisma and Salwa attempt to undo the ancient legend of the Mahabharata —that timeless allegory of war within a family—with tragic consequences, as the story moves from rural Java to Europe and to the prison camps of Buru Island, where approximately 12,000 alleged communists were incarcerated without trial during the Suharto dictatorship. Through its memorable cast of characters—each of them a metaphor for the vast diversity that is Indonesia—the novel asks us not to see history in terms of ‘black’ and ‘white’, ‘good’ and ‘evil’, but highlights, instead, the grey zones of human existence and the human spirit. It also shows us ways in which men and women often attain their highest humanity at the point of destruction."--
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