Recording history : Jews, Muslims, and music across twentieth-century North Africa / Christopher Silver.
Material type: TextLanguage: English Publication details: Stanford : Stanford University Press, 2022.ISBN:- 9781503631687
Item type | Home library | Collection | Call number | Status | Date due | Barcode | |
---|---|---|---|---|---|---|---|
OPJGU Sonepat- Campus Main Library | General Books | 781.63096 SI-R (Browse shelf(Opens below)) | Available | 147618 |
Browsing OPJGU Sonepat- Campus shelves, Collection: General Books Close shelf browser (Hides shelf browser)
781.542095485 IN-H Her majestic voice South Indian female playback singers and stardom, 1945-1955 | 781.5990944 MA-S Singing the French revolution popular culture and politics, 1787-1799 | 781.6309042 DE-N Noise uprising the audiopolitics of a world musical revolution | 781.63096 SI-R Recording history : Jews, Muslims, and music across twentieth-century North Africa / | 781.630967623 EI-S Sounds of other shores : the musical poetics of identity on Kenya's Swahili coast / | 781.65 WI-J The jazz tradition / | 781.6609 OH-P Philosophy of punk more than noise |
"If twentieth-century stories of Jews and Muslims in North Africa are usually told separately, Recording History demonstrates that we have not been listening to what brought these communities together: Arab music. For decades, thousands of phonograph records flowed across North African borders. The sounds embedded in their grooves were shaped in large part by Jewish musicians, who gave voice to a changing world around them. Their popular songs broadcast on radio, performed in concert, and circulated on disc carried with them the power to delight audiences, stir national sentiments, and frustrate French colonial authorities. With this book, Christopher Silver provides the first history of the music scene and recording industry across Morocco, Algeria, and Tunisia, and offers striking insights into Jewish-Muslim relations through the rhythms that animated them. He traces the path of hit-makers and their hit records, illuminating regional and transnational connections. In asking what North Africa once sounded like, Silver recovers a world of many voices―of pioneering impresarios, daring female stars, cantors turned composers, witnesses and survivors of war, and national and nationalist icons―whose music still resonates well into our present."--
There are no comments on this title.