Cross-Cultural Visions in African American Modernism : From Spatial Narrative to Jazz Haiku / Yoshinobu Hakutani.
Material type:
TextSeries: Book collections on Project MUSEPublisher: Columbus : Ohio State University Press, 2006Manufacturer: Baltimore, Md. : Project MUSE, 2021Copyright date: ©2006Description: 1 online resource (ix, 251 p.)Content type: - text
- computer
- online resource
- 0814210309
- 0814272371
- 9780814210307
- 9780814272374
- 810.9/896073 22
- PS153.N5 H223 2006
| Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
|---|---|---|---|---|---|---|---|---|
Electronic-Books
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OPJGU Sonepat- Campus | E-Books Open Access | Available |
Includes bibliographical references (p. 235-242) and index.
The Chicago Renaissance, Theodore Dreiser, and Richard Wright's spatial narrative -- The cross-cultural vision of Ralph Ellison's Invisible man -- No name in the street : James Baldwin's exploration of American urban culture -- If Beale Street could talk : Baldwin's search for love and identity -- Jazz and Toni Morrison's urban imagination of desire and subjectivity -- Wright's The outsider and French existentialism -- Pagan Spain : Wright's discourse on religion and culture -- The African "primal outlook upon life" : Wright and Morrison -- The poetics of nature : Wright's haiku, Zen, and Lacan -- Private voice and Buddhist enlightenment in Alice Walker's The color purple -- Cross-cultural poetics : Sonia Sanchez's Like the singing coming off the drums -- James Emanuel's jazz haiku and African American individualism.
Open Access Unrestricted online access star
Description based on print version record.
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