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The cultural production of Matthew Arnold / Antony H. Harrison.

By: Material type: TextTextSeries: UPCC book collections on Project MUSEPublication details: Athens, Ohio : Ohio University Press, ©2009.Description: 1 online resource (xvi, 152 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780821443132
  • 0821443135
Subject(s): Genre/Form: Additional physical formats: Print version:: Cultural production of Matthew Arnold.DDC classification:
  • 821/.8 22
LOC classification:
  • PR4024 .H36 2009eb
Online resources:
Contents:
Rationale; Acknowledgments; 1: Revolution and Medievalism; 2: Keats and Spasmodicism; 3: Poetesses; 4: Gypsies; Notes; Works Cited; Index.
Summary: The career of Matthew Arnold as an eminent poet and the preeminent critic of his generation constitutes a remarkable historical spectacle orchestrated by a host of powerful Victorian cultural institutions. The Cultural Production of Matthew Arnold investigates these constructions by situating Arnold's poetry in a number of contexts that partially shaped it. Such analysis revises our understanding of the formation of the elite (and elitist) male literary-intellectual subject during the 1840s and 1850s, as Arnold attempts self-definition and strives simultaneously to move toward a position of.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references and index.

Print version record.

The career of Matthew Arnold as an eminent poet and the preeminent critic of his generation constitutes a remarkable historical spectacle orchestrated by a host of powerful Victorian cultural institutions. The Cultural Production of Matthew Arnold investigates these constructions by situating Arnold's poetry in a number of contexts that partially shaped it. Such analysis revises our understanding of the formation of the elite (and elitist) male literary-intellectual subject during the 1840s and 1850s, as Arnold attempts self-definition and strives simultaneously to move toward a position of.

Rationale; Acknowledgments; 1: Revolution and Medievalism; 2: Keats and Spasmodicism; 3: Poetesses; 4: Gypsies; Notes; Works Cited; Index.

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