Marlowe's counterfeit profession : Ovid, Spenser, counter-nationhood / Patrick Cheney.
Material type:
TextPublication details: Toronto ; Buffalo : University of Toronto Press, ©1997.Description: 1 online resource (xii, 402 pages)Content type: - text
- computer
- online resource
- 9781442677067
- 1442677066
- Marlowe, Christopher, 1564-1593 -- Knowledge -- Literature
- Spenser, Edmund, 1552?-1599 -- Knowledge -- Literature
- Ovid, 43 B.C.-17 A.D. or 18 A.D. -- Influence
- Virgil -- Influence
- Marlowe, Christopher, 1564-1593 -- Critique et interprétation
- Marlowe, Christopher, 1564-1593
- Ovid, 43 B.C.-17 A.D. or 18 A.D
- Spenser, Edmund, 1552?-1599
- Virgil
- Marlowe, Christopher 1564-1593
- Ovidius Naso, Publius v43-17
- Spenser, Edmund 1552-1599
- Marlowe, Christopher
- Ovidius Naso, Publius
- Spenser, Edmund
- English literature -- Early modern, 1500-1700 -- History and criticism -- Theory, etc
- National characteristics, British, in literature
- English literature -- Roman influences
- Authorship -- History -- 16th century
- Nationalism in literature
- Authority in literature
- Liberty in literature
- Britanniques dans la littérature
- Art d'écrire -- Histoire -- 16e siècle
- Nationalisme dans la littérature
- Autorité dans la littérature
- Liberté dans la littérature
- DRAMA -- English, Irish, Scottish, Welsh
- LITERARY CRITICISM -- European -- English, Irish, Scottish, Welsh
- Literature
- Authority in literature
- Authorship
- English literature -- Roman influences
- Influence (Literary, artistic, etc.)
- Liberty in literature
- National characteristics, British, in literature
- Nationalism in literature
- Auteurschap
- Nationalisme
- 1500-1700
- 822/.3 22
- PR2677.L5 C47 1997
- 18.05
- HI 2715
- 6,12
- 6,11
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Includes bibliographical references (pages 345-378) and index.
""CONTENTS""; ""ACKNOWLEDGMENTS""; ""TEXTS AND ABBREVIATIONS""; ""Introduction: Marlowe's Ovidian Career, Spenser, and the Writing of Counter-Nationhood""; ""Part I: Sea-Bank Myrtle Sprays: Amatory Poetry""; ""1 Ovid's Counter-Virgilian Cursus in the Amores""; ""2 Marlowe's New Renaissance Ovid: 'Area maior' in Ovid's Elegies""; ""3 Career Rivalry, Counter-Nationhood, and Philomela in 'The Passionate Shepherd to His Love'""; ""Part II: Sceptres and High Buskins: Tragedy""; ""4 Dido, Queen of Carthage and the Coining of '""Eliza""'""
""5 'Thondring words of threate': Spenser in Tamburlaine, Parts 1and 2""""6 Machiavelli and the Play of Policy in The Jew of Malta""; ""7 'Italian masques by night': Machiavellian Policy and Ovidian Play in Edward II""; ""8 'Actors in this massacre': The Massacre at Paris and the Orphic Guise of Metatheatre""; ""9 Un-script(ur)ing Christian Tragedy: Ovidian Love, Magic, and Glory in Doctor Faustus""; ""Part III: Trumpets and Drums: Epic""; ""10 Counter-Epic of Empire: Lucan's First Book""; ""11 Marlowe, Chapman, and the Rewriting of Spenser's England in Hero and Leander""
""Afterword: Counterfeiting the Profession""""NOTES""; ""WORKS CITED""; ""INDEX""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F""; ""G""; ""H""; ""I""; ""J""; ""K""; ""L""; ""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""U""; ""V""; ""W""; ""Y""; ""Z""
Cheney argues that Marlowe organizes his canon around an ""Ovidian"" career model, or cursus, which turns from amatory poetry to tragedy to epic. The first comprehensive reading of the Marlowe canon in over a generation.
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