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An unprecedented deformation : Marcel Proust and the sensible ideas / Mauro Carbone ; translated by Niall Keane.

By: Material type: TextTextLanguage: English Original language: Italian Series: SUNY series in contemporary Italian philosophy | SUNY series in contemporary continental philosophyPublication details: Albany : State University of New York Press, ©2010.Description: 1 online resource (viii, 113 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781441658548
  • 1441658548
  • 1438430221
  • 9781438430225
Uniform titles:
  • Deformazione senza precedenti. English
Subject(s): Genre/Form: Additional physical formats: Print version:: Unprecedented deformation.DDC classification:
  • 843/.912 22
LOC classification:
  • PQ2631.R63 Z54548213 2010eb
Online resources:
Contents:
"Seek? : more than that : create" -- Nature : variations on the theme -- The mythical time of the ideas : Merleau-Ponty and Deleuze as readers of Proust -- Deformation and recognition : Proust in the "reversal of Platonism" -- "The words of the oracle" : Merleau-Ponty and the "philosophy of Freudianism" -- How can one recognize what one did not know? : mnemosyne and the art of the twentieth century -- Love and music : theme and variations.
Summary: French novelist Marcel Proust made famous "involuntary memory," a peculiar kind of memory that works whether one is willing or not and that gives a transformed recollection of past experience. More than a centruy later, the Proustian notion of involuntary memory has not been fully explored nor its implications understood. By providing clarifying examples taken from Proust's novel and by commenting on them using the work of French philosophers Maurice Merleau-Ponty and Gilles Deleuze, Italian philosopher Mauro Carboneinterprets involuntary memory as the humen faculty providing the involuntary creation of our ideas through the transformation of past experience. This rethinking of the traditional way of conceiving ideas and their genesis as separated from sensible experience as has been done in western thought since Plato allows the author to promote a new theory of knowledge, one which is best exemplified via literature and art much more than philosophy. --Book Jacket.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references and index.

"Seek? : more than that : create" -- Nature : variations on the theme -- The mythical time of the ideas : Merleau-Ponty and Deleuze as readers of Proust -- Deformation and recognition : Proust in the "reversal of Platonism" -- "The words of the oracle" : Merleau-Ponty and the "philosophy of Freudianism" -- How can one recognize what one did not know? : mnemosyne and the art of the twentieth century -- Love and music : theme and variations.

Print version record.

French novelist Marcel Proust made famous "involuntary memory," a peculiar kind of memory that works whether one is willing or not and that gives a transformed recollection of past experience. More than a centruy later, the Proustian notion of involuntary memory has not been fully explored nor its implications understood. By providing clarifying examples taken from Proust's novel and by commenting on them using the work of French philosophers Maurice Merleau-Ponty and Gilles Deleuze, Italian philosopher Mauro Carboneinterprets involuntary memory as the humen faculty providing the involuntary creation of our ideas through the transformation of past experience. This rethinking of the traditional way of conceiving ideas and their genesis as separated from sensible experience as has been done in western thought since Plato allows the author to promote a new theory of knowledge, one which is best exemplified via literature and art much more than philosophy. --Book Jacket.

English.

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