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Race and time : American women's poetics from antislavery to racial modernity / by Janet Gray.

By: Material type: TextTextPublication details: Iowa City : University of Iowa Press, ©2004.Description: 1 online resource (viii, 324 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 158729480X
  • 9781587294808
Subject(s): Genre/Form: Additional physical formats: Print version:: Race and time.DDC classification:
  • 811/.3099287 22
LOC classification:
  • PS310.R34 G73 2004eb
Other classification:
  • 18.06
  • HT 1761
Online resources:
Contents:
Acknowledgments; INTRODUCTION; 1. Wrappings: A Methodological Introduction; 2. Contesting the Pearl: Whiteness, Blackness, and the Possessionof American Poetry2; II ANTEBELLUM; 3. "Skins May Differ": Women's Republicanism and the Poeticsof Abolitionism; 4. The Mummy Returns: Humor, Kinship, and the Bindings of Print; III POSTBELLUM; 5. Looking in the Glass: Sarah Piatt's Poetics of Play and Loss; 6. We Women Radicals: Frances Harper's Poetics of Racial Formation; 7. What One Is Not Was: Mary Eliza Tucker Lambert's Poetics of Self-Reconstruction.
Action note:
  • digitized 2010 HathiTrust Digital Library committed to preserve
Summary: Race and Time urges our attention to women's poetry in considering the cultural history of race. Building on close readings of well known and less familiar poets-including Elizabeth Margaret Chandler, Sarah Louisa Forten, Hannah Flagg Gould, Frances Ellen Watkins Harper, Sarah Piatt, Mary Eliza Tucker Lambert, Sarah Josepha Hale, Eliza Follen, and Mary Mapes Dodge-Gray traces tensions in women's literary culture from the era of abolitionism to the rise of the Plantation tradition. She devotes a chapter to children's verse, arguing that racial stereotypes work as "nonsense" that masks conflicts
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Includes bibliographical references (pages 311-319) and index.

Print version record.

Acknowledgments; INTRODUCTION; 1. Wrappings: A Methodological Introduction; 2. Contesting the Pearl: Whiteness, Blackness, and the Possessionof American Poetry2; II ANTEBELLUM; 3. "Skins May Differ": Women's Republicanism and the Poeticsof Abolitionism; 4. The Mummy Returns: Humor, Kinship, and the Bindings of Print; III POSTBELLUM; 5. Looking in the Glass: Sarah Piatt's Poetics of Play and Loss; 6. We Women Radicals: Frances Harper's Poetics of Racial Formation; 7. What One Is Not Was: Mary Eliza Tucker Lambert's Poetics of Self-Reconstruction.

Race and Time urges our attention to women's poetry in considering the cultural history of race. Building on close readings of well known and less familiar poets-including Elizabeth Margaret Chandler, Sarah Louisa Forten, Hannah Flagg Gould, Frances Ellen Watkins Harper, Sarah Piatt, Mary Eliza Tucker Lambert, Sarah Josepha Hale, Eliza Follen, and Mary Mapes Dodge-Gray traces tensions in women's literary culture from the era of abolitionism to the rise of the Plantation tradition. She devotes a chapter to children's verse, arguing that racial stereotypes work as "nonsense" that masks conflicts

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Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2010. MiAaHDL

Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. MiAaHDL

http://purl.oclc.org/DLF/benchrepro0212

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English.

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