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Palestrina and the German romantic imagination : interpreting historicism in nineteenth-century music / James Garratt.

By: Material type: TextTextSeries: Musical performance and receptionPublisher: Cambridge : New York : Cambridge University Press, 2002Description: 1 online resource (xiv, 318 pages) : illustrationsContent type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9780511481796
  • 0511481799
  • 0511020716
  • 9780511020711
  • 0521807379
  • 9780521807371
  • 052100196X
  • 9780521001960
  • 9780511044465
  • 0511044461
  • 0511158084
  • 9780511158087
Subject(s): Genre/Form: Additional physical formats: Print version:: Palestrina and the German romantic imagination.DDC classification:
  • 780/.9/034 21
LOC classification:
  • ML196 .G37 2002eb
Online resources:
Contents:
Historicism in nineteenth-century art, aesthetics and culture -- Romanticism and the problem of church music -- Protestant Palestrina revival -- Catholic Palestrina revival -- Palestrina in the concert hall -- Interpreting the secondary discourse of nineteenth-century music.
Summary: James Garratt explores the revival of sixteenth-century music in nineteenth-century Germany, focusing on the reception of Palestrina by critics, historians, performers and composers. Of relevance to scholars, students and devotees of nineteenth-century music, and those interested in nineteenth-century culture, art, architecture, literature and aesthetics, and the early music revival.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references (pages 296-310) and index.

Historicism in nineteenth-century art, aesthetics and culture -- Romanticism and the problem of church music -- Protestant Palestrina revival -- Catholic Palestrina revival -- Palestrina in the concert hall -- Interpreting the secondary discourse of nineteenth-century music.

Print version record.

James Garratt explores the revival of sixteenth-century music in nineteenth-century Germany, focusing on the reception of Palestrina by critics, historians, performers and composers. Of relevance to scholars, students and devotees of nineteenth-century music, and those interested in nineteenth-century culture, art, architecture, literature and aesthetics, and the early music revival.

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