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Islamic art and spirituality / Seyyed Hossein Nasr.

By: Material type: TextTextPublication details: Albany : State University of New York Press, ©1987.Description: 1 online resource (x, 213 pages, 16 unnumbered pages of plates) : illustrations (some color)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 0585078734
  • 9780585078731
Subject(s): Genre/Form: Additional physical formats: Print version:: Islamic art and spirituality.DDC classification:
  • 700/.917/671 19
LOC classification:
  • NX688.A4 N37 1987eb
Other classification:
  • 20.50
Online resources:
Contents:
Introduction: The relation between Islamic art and Islamic spirituality -- Art and the Sacred. The spiritual message of Islamic calligraphy -- The principle of unity and the sacred architecture of Islam -- Sacred art in persian culture -- Literature. Metaphysics, logic, and poety in the Orient -- The fligh of birds to union : meditations upon 'Aṭṭār's Manṭiq Al-ṭayr -- Rūmī, supreme poet and sage -- Rūmī and the Sufi tradition -- Music. Islam and music -- The influence of Sufism on traditional Persian music -- The Plastic Arts. The world of imagination and the concept of space in the persian miniature -- The significance of the void in Islamic art -- Postscript: The spiritual message of Islamic art.
Action note:
  • digitized 2011 HathiTrust Digital Library committed to preserve
Summary: "With remarkable breadth of vision, Seyyed Hossein Nasr reveals for both Western and Muslim readers how each art form in the islamic tradition is based upon a science of nature concerned, not with the outer appearance of things, but with their inner reality. Ranging across calligraphy, painting, architecture, literature, music, and the plastic arts, Nasr penetrates to the inner dimension of Islam and shows the role art plays in the life of individual Muslims and the community as a whole--the role of inspiring the remembrance and contemplation of God. Once the author establishes art as an aid and support to the spiritual life, he traces the creative act to its ultimate source: inner knowledge and barakah, or grace, which make the crystallization of inner realities in form and space and time possible. Through this knowledge and grace, the author asserts, unity manifests upon the plane of multiplicity, making archetypal realities perceivable by the senses. Through this knowledge and grace, art functions as a ladder for the journey of the soul from the visible to the invisible. How Islamic art leads man to the inner chamber of divine revelation forms the substance of much of this important work. An especially close look is given to the Sufi tradition within Islam, for its mystical teachers have often clearly demonstrated in their works the spiritual significance of beauty and served as the source of inspiration for art. By rediscovering the root of art in the Islamic tradition, Seyyed Hossein Nasr opens doors to new dimensions of unity which have seemingly been obscured in recent Western art. In so doing, he extends the significance of this book beyond the Islamic belief system to touch the hearts and creative impulses of readers from all traditions"--Back cover.
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Includes bibliographical references and index.

Print version record.

Introduction: The relation between Islamic art and Islamic spirituality -- Art and the Sacred. The spiritual message of Islamic calligraphy -- The principle of unity and the sacred architecture of Islam -- Sacred art in persian culture -- Literature. Metaphysics, logic, and poety in the Orient -- The fligh of birds to union : meditations upon 'Aṭṭār's Manṭiq Al-ṭayr -- Rūmī, supreme poet and sage -- Rūmī and the Sufi tradition -- Music. Islam and music -- The influence of Sufism on traditional Persian music -- The Plastic Arts. The world of imagination and the concept of space in the persian miniature -- The significance of the void in Islamic art -- Postscript: The spiritual message of Islamic art.

"With remarkable breadth of vision, Seyyed Hossein Nasr reveals for both Western and Muslim readers how each art form in the islamic tradition is based upon a science of nature concerned, not with the outer appearance of things, but with their inner reality. Ranging across calligraphy, painting, architecture, literature, music, and the plastic arts, Nasr penetrates to the inner dimension of Islam and shows the role art plays in the life of individual Muslims and the community as a whole--the role of inspiring the remembrance and contemplation of God. Once the author establishes art as an aid and support to the spiritual life, he traces the creative act to its ultimate source: inner knowledge and barakah, or grace, which make the crystallization of inner realities in form and space and time possible. Through this knowledge and grace, the author asserts, unity manifests upon the plane of multiplicity, making archetypal realities perceivable by the senses. Through this knowledge and grace, art functions as a ladder for the journey of the soul from the visible to the invisible. How Islamic art leads man to the inner chamber of divine revelation forms the substance of much of this important work. An especially close look is given to the Sufi tradition within Islam, for its mystical teachers have often clearly demonstrated in their works the spiritual significance of beauty and served as the source of inspiration for art. By rediscovering the root of art in the Islamic tradition, Seyyed Hossein Nasr opens doors to new dimensions of unity which have seemingly been obscured in recent Western art. In so doing, he extends the significance of this book beyond the Islamic belief system to touch the hearts and creative impulses of readers from all traditions"--Back cover.

Use copy Restrictions unspecified star MiAaHDL

Electronic reproduction. [Place of publication not identified] : HathiTrust Digital Library, 2011. MiAaHDL

Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. MiAaHDL

http://purl.oclc.org/DLF/benchrepro0212

digitized 2011 HathiTrust Digital Library committed to preserve pda MiAaHDL

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