Recomposing Art and Science : artists-in-labs.

By:

Hediger, Irene

Contributor(s):

Scott, Jill

Material type: Text

TextPublication details: Berlin/Boston : De Gruyter, 2016.Description: 1 online resource (268 pages)Content type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9783110474596
311047459X
3110473089
9783110473087
3110474603
9783110474602

Subject(s): Genre/Form:

Electronic books.

Additional physical formats: Print version:: Recomposing Art and Science : artists-in-labs.DDC classification:

001.3 23

LOC classification:

AZ103

Online resources:

Click here to access online

Contents:

Foreword ; Introduction ; Exploring the Unknown ; Composing ; Art-Science and (Re)Making Worlds: Shaping Knowledge, Transforming Subjects, Challenging Institutions ; Embodying ; Creative Incubators for a Common Culture ; Explaining the Edge ; Art and Anthropology ; Neglecting.

Overlapping Waves and New Knowledge Difference, Diffraction, and the Dialog between Art and Science Dreaming ; Inventive Experimentation: Weird Science, Affectivity and Archives of the Future.

Rhythm Making. Heart Culture. Our Everyday World Received an Additional, Literally Unheard Dimension of Sound Biomediality and Art ; Hovering ; Aesthetic Difference: On the "Wisdom" of the Arts ; Modeling.

Summary: The interfaces between art and the scientific disciplines of biology, environmental science, neuroscience, and physics pose interdisciplinary questions that are an inspiration to researchers. The authors compare artists' experimentation set-ups and thereby reveal new levels of knowledge. The examples in the Artists-in-Labs program illustrate how artists approach problems and, in this way, create new tools for science.

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Holdings
Item type	Home library	Collection	Call number	Materials specified	Status	Date due	Barcode
Electronic-Books	OPJGU Sonepat- Campus	E-Books EBSCO			Available

Print version record.

Overlapping Waves and New Knowledge Difference, Diffraction, and the Dialog between Art and Science Dreaming ; Inventive Experimentation: Weird Science, Affectivity and Archives of the Future.

Includes bibliographical references.

The interfaces between art and the scientific disciplines of biology, environmental science, neuroscience, and physics pose interdisciplinary questions that are an inspiration to researchers. The authors compare artists' experimentation set-ups and thereby reveal new levels of knowledge. The examples in the Artists-in-Labs program illustrate how artists approach problems and, in this way, create new tools for science.

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