Freedom from the free will : on Kafka's laughter / Dimitris Vardoulakis.

By:

Vardoulakis, Dimitris [author.]

Material type: Text

TextSeries: SUNY series in contemporary continental philosophyPublisher: Albany : State University of New York Press, 2016Description: 1 online resourceContent type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

9781438462417
1438462417

Subject(s): Genre/Form:

Additional physical formats: Print version:: Freedom from the free will.DDC classification:

833/.912 23

LOC classification:

PT2621.A26 Z957 2016eb

Online resources:

Click here to access online

Contents:

Kafka's Cages: Laughter and the Free Will -- The Abrahamic Laughter: The Topography of Freedom in "The Judgment" and Metamorphosis -- The Return of the Body: The Ethics of Laughter -- The Law of Freedom: Reading The Trial through Spinoza -- Executing Violence: The Drama of Power in "In the Penal Colony" -- Postscript: A Triple or a Single Will?

Summary: Many of Kafka's narratives place their heroes in situations of confinement. Gregor Samsa is locked in his room in the Metamorphosis, and the land surveyor in The Castle is stuck in the village unable either to leave or to gain access to the castle. Dimitris Vardoulakis argues that Kafka constructs these plots of confinement in order to laugh at his heroes' futile attempts to express their will. In this way, Kafka emerges as a critic of the free will and as a proponent of a different kind of freedom: one focused within the confines of one's experience and mediated by one's circumstances. Vardoulakis contends that his sense of humor is the key to understanding Kafka as a political thinker. Laughter, in this account, is the tool used to deconstruct power. By placing Kafka in dialogue with philosophy and political theory, Vardoulakis shows that Kafka can give us invaluable insights into how to be free--and how to laugh. -- From publisher's website.

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Includes bibliographical references and index.

Print version record.

Many of Kafka's narratives place their heroes in situations of confinement. Gregor Samsa is locked in his room in the Metamorphosis, and the land surveyor in The Castle is stuck in the village unable either to leave or to gain access to the castle. Dimitris Vardoulakis argues that Kafka constructs these plots of confinement in order to laugh at his heroes' futile attempts to express their will. In this way, Kafka emerges as a critic of the free will and as a proponent of a different kind of freedom: one focused within the confines of one's experience and mediated by one's circumstances. Vardoulakis contends that his sense of humor is the key to understanding Kafka as a political thinker. Laughter, in this account, is the tool used to deconstruct power. By placing Kafka in dialogue with philosophy and political theory, Vardoulakis shows that Kafka can give us invaluable insights into how to be free--and how to laugh. -- From publisher's website.

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