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Film & copyright : making content for big and little screens / [author, Megan West].

By: Contributor(s): Material type: TextTextSeries: Publication (Australian Copyright Council) ; E152.Publisher: Strawberry Hills, N.S.W. Australian Copyright Council, 2015Copyright date: ©2015Description: 1 online resource (111 pages)Content type:
  • text
Media type:
  • computer
Carrier type:
  • online resource
ISBN:
  • 9781875833320
  • 1875833323
Other title:
  • Film and copyright : making content for big and little screens
Subject(s): Genre/Form: DDC classification:
  • 346.940482 23
LOC classification:
  • KU1120 .W47 2015
Online resources:
Contents:
Intro; 1. About this publication; 1.1 Who this publication is for; 1.2 How this book is set out; 1.3 Defining "film"; 1.4 Information, not legal advice; 1.5 Glossary; 2. Introduction; 2.1 Overview of the Australian screen industry and audience; 3. Copyright overview; 3.1 What is protected by copyright?; 3.2 Requirements for copyright protection; 3.3 What is not protected by copyright?; 3.4 Identifying underlying works in films; 3.5 How long does copyright last?; 3.6 Who owns copyright?; 3.7 What are the rights of the copyright owner?; 3.8 When do you need permission from the copyright owner?
3.9 Exceptions to copyright3.10 Copyright infringement; 3.11 Frequently asked questions; 4. Making a film -- clearing the underlying rights; 4.1 Introduction; 4.2 Finding the copyright owner; 4.3 Orphan works; 4.4 Dealing with copyright; 4.5 Common terms in film contracts; 4.6 Industry agreements; 4.7 Acquiring rights in the screenplay; 4.8 Using literary and dramatic works in your film; 4.9 Using music and sound recordings in your film; 4.10 Using artistic works in your film; 4.11 Using other people's films in your film; 4.12 Using Indigenous cultural material in your film
4.13 What if it all goes wrong?4.14 Frequently asked questions; 5. Moral rights; 5.1 Introduction; 5.2 What are moral rights and who owns them?; 5.3 Right of attribution; 5.4 Right against false attribution; 5.5 Right of integrity; 5.6 Infringement of moral rights; 5.7 Defences to moral rights infringement; 5.8 Agreements concerning moral rights in underlying material; 5.9 Agreements concerning moral rights in the film itself; 5.10 Frequently asked questions; 6. Performers' rights; 6.1 Introduction; 6.2 What rights do performers have?; 6.3 Performers' protection
6.4 Performers' co-ownership of sound recordings6.5 Performers' moral rights; 6.6 Performers' rights: industry agreements; 6.7 Law reform: Beijing Treaty on Audiovisual Performances; 6.8 Filming people who are not performers; 6.9 Frequently asked questions; 7. Ownership and protection of your film; 7.1 Introduction; 7.2 Protection of ideas, formats and films; 7.3 Rights of owners of copyright in films; 7.4 Screenrights; 7.5 DRM and film; 7.6 Geoblocking and TPMs; 7.7 What to do if someone infringes your copyright; 7.8 International protection; 7.9 Law reform: online infringement
7.10 Frequently asked questions8. Financing and distributing your film; 8.1 Introduction; 8.2 Financing your film project; 8.2.1 Government screen funding agencies; 8.2.2 Australian Screen Production Incentive; 8.2.3 Producer Equity Program (PEP); 8.2.4 Broadcasters; 8.2.5 Distribution deals; 8.2.6 International funding; 8.2.7 Private investment; 8.2.8 Product placement and "contra" deals; 8.2.9 Crowd funding; 8.3 Key distribution channels; 8.4 Self-distribution; 9. Other laws; 9.1 Introduction; 9.2 Trade marks, business names and domain names
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Electronic-Books Electronic-Books OPJGU Sonepat- Campus E-Books EBSCO Available

Online resource; title from PDF title page (EBSCO, viewed May 2, 2016).

Includes bibliographical references.

Intro; 1. About this publication; 1.1 Who this publication is for; 1.2 How this book is set out; 1.3 Defining "film"; 1.4 Information, not legal advice; 1.5 Glossary; 2. Introduction; 2.1 Overview of the Australian screen industry and audience; 3. Copyright overview; 3.1 What is protected by copyright?; 3.2 Requirements for copyright protection; 3.3 What is not protected by copyright?; 3.4 Identifying underlying works in films; 3.5 How long does copyright last?; 3.6 Who owns copyright?; 3.7 What are the rights of the copyright owner?; 3.8 When do you need permission from the copyright owner?

3.9 Exceptions to copyright3.10 Copyright infringement; 3.11 Frequently asked questions; 4. Making a film -- clearing the underlying rights; 4.1 Introduction; 4.2 Finding the copyright owner; 4.3 Orphan works; 4.4 Dealing with copyright; 4.5 Common terms in film contracts; 4.6 Industry agreements; 4.7 Acquiring rights in the screenplay; 4.8 Using literary and dramatic works in your film; 4.9 Using music and sound recordings in your film; 4.10 Using artistic works in your film; 4.11 Using other people's films in your film; 4.12 Using Indigenous cultural material in your film

4.13 What if it all goes wrong?4.14 Frequently asked questions; 5. Moral rights; 5.1 Introduction; 5.2 What are moral rights and who owns them?; 5.3 Right of attribution; 5.4 Right against false attribution; 5.5 Right of integrity; 5.6 Infringement of moral rights; 5.7 Defences to moral rights infringement; 5.8 Agreements concerning moral rights in underlying material; 5.9 Agreements concerning moral rights in the film itself; 5.10 Frequently asked questions; 6. Performers' rights; 6.1 Introduction; 6.2 What rights do performers have?; 6.3 Performers' protection

6.4 Performers' co-ownership of sound recordings6.5 Performers' moral rights; 6.6 Performers' rights: industry agreements; 6.7 Law reform: Beijing Treaty on Audiovisual Performances; 6.8 Filming people who are not performers; 6.9 Frequently asked questions; 7. Ownership and protection of your film; 7.1 Introduction; 7.2 Protection of ideas, formats and films; 7.3 Rights of owners of copyright in films; 7.4 Screenrights; 7.5 DRM and film; 7.6 Geoblocking and TPMs; 7.7 What to do if someone infringes your copyright; 7.8 International protection; 7.9 Law reform: online infringement

7.10 Frequently asked questions8. Financing and distributing your film; 8.1 Introduction; 8.2 Financing your film project; 8.2.1 Government screen funding agencies; 8.2.2 Australian Screen Production Incentive; 8.2.3 Producer Equity Program (PEP); 8.2.4 Broadcasters; 8.2.5 Distribution deals; 8.2.6 International funding; 8.2.7 Private investment; 8.2.8 Product placement and "contra" deals; 8.2.9 Crowd funding; 8.3 Key distribution channels; 8.4 Self-distribution; 9. Other laws; 9.1 Introduction; 9.2 Trade marks, business names and domain names

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