White sands experiences from the outside world
Material type: TextPublication details: Edinburgh Canongate Books 2017Description: 233 p. photos 21 cmISBN:- 9781782117421
- 824.914 23 DY-W
Item type | Home library | Collection | Call number | Status | Date due | Barcode | |
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OPJGU Sonepat- Campus Main Library | General Books | 824.914 DY-W (Browse shelf(Opens below)) | Available | 145098 |
Browsing OPJGU Sonepat- Campus shelves, Collection: General Books Close shelf browser (Hides shelf browser)
824.912 OR-C Collection of essays | 824.914 BE-S Selected essays of John Berger | 824.914 CA-N Nothing sacred selected writings | 824.914 DY-W White sands experiences from the outside world | 824.914 RO-M My seditious heart collected nonfiction | 824.914 RU-S Step across this line collected nonfiction 1992-2002 | 824.914 SM-C Changing my mind occasional essays |
"From "one of our most original writers" (Kathryn Schulz) comes an expansive and exacting book--firmly grounded, but elegant, witty, and always inquisitive--about travel, unexpected awareness, and the questions we ask when we step outside ourselves. Geoff Dyer's perennial search for tranquility, for "something better," continues in this series of fascinating and seemingly unrelated pilgrimages--with a tour guide who is in fact not a tour guide at the Forbidden City in Beijing, with friends at the Lightning Field in New Mexico, with a hitchhiker picked up near a prison at White Sands, and with "a dream of how things should have been" at the Watts Towers in Los Angeles. Weaving stories about places to which he has recently traveled with images and memories that have persisted since childhood, Dyer tries "to work out what a certain place--a certain way of marking the landscape--means; what it's trying to tell us; what we go to it for." He takes his title from Gaugin's masterwork, and asks the same questions: Where do we come from, what are we, where are we going? The answers are elusive, hiding in French Polynesia, where he travels to write about Gaugin and the lure of the exotic; at the Museum of Fine Arts in Boston, where he goes to see the masterpiece in person only to be told it is traveling; and in Norway, where he and his wife journey to see, but end up not seeing, the Northern Lights. But at home in California, after a medical event that makes Dyer see everything in a different way, he may finally have found what he's been searching for"--
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