Cinemas dark and slow in digital India / (Record no. 3091200)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01768nam a22002057a 4500 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | JGU |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20240708122814.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 240708b |||||||| |||| 00| 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9789354421051 |
| Qualifying information | pbk. |
| 040 ## - CATALOGING SOURCE | |
| Language of cataloging | eng |
| Transcribing agency | JGU |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | eng |
| 100 ## - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Gopalan, Lalitha, |
| 9 (RLIN) | 1661095 |
| Relator term | author |
| 245 ## - TITLE STATEMENT | |
| Title | Cinemas dark and slow in digital India / |
| Statement of responsibility, etc | Lalitha Gopalan. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Place of publication, distribution, etc | Hyderabad : |
| Name of publisher, distributor, etc | Oriental Blackswan, |
| Date of publication, distribution, etc | 2021. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | "Cinemas Dark and Slow in Digital India provides a sustained engagement with contemporary Indian feature films from outside the mainstream, including Aaranaya Kaandam, I.D., Kaul, Chauthi Koot, Cosmic Sex, and Gaali Beeja, to expand the scope of film studies that have focused so far on the dominance of Bollywood. Gopalan assembles films from Bangalore, Chennai, Delhi, Kolkata, and Trivandrum, in addition to independent productions in Bombay cinema, as a way of privileging less studied works that deserve critical attention. Through close readings of films and a deep investigation of film style, this book draws attention to the advent of digital technologies while remaining fully cognizant of ‘the digital’ and considering the change in the global circulation of film and finance. This dual focus on the techno-material conditions of Indian cinema and the film narrative a complete picture of changing narratives and shifting genres and styles. Written with a cinephile’s enthusiasm for world cinema, the book addresses scholars of cinema studies, media studies, and readers who are curious about the shape that media and mediums are taking in current times."-- |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Indian feature films--advent of digital technologies |
| 9 (RLIN) | 1663634 |
| Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Collection code | Koha item type | Home library | Current library | Shelving location | Full call number | Barcode | Total Checkouts | Date last seen |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Dewey Decimal Classification | General Books | OPJGU Sonepat- Campus | OPJGU Sonepat- Campus | Main Library | 777.0954 GO-C | 153325 | 02/07/2024 |