Notes on the cinematograph / (Record no. 3052734)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01859nam a22002297a 4500 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | JGU |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20221020171652.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 221020b |||||||| |||| 00| 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9781681370248 |
| Qualifying information | pbk. |
| 040 ## - CATALOGING SOURCE | |
| Transcribing agency | JGU |
| Language of cataloging | eng |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | eng |
| Language code of original and/or intermediate translations of text | fre |
| 100 ## - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Bresson, Robert, |
| 9 (RLIN) | 1636332 |
| Relator term | author |
| 245 ## - TITLE STATEMENT | |
| Title | Notes on the cinematograph / |
| Statement of responsibility, etc | Robert Bresson ; translated from the French by Jonathan Griffin ; introduction by J.M.G. Le Clezio. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Place of publication, distribution, etc | New York : |
| Name of publisher, distributor, etc | New York Review Books, |
| Date of publication, distribution, etc | 1986. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | "The French film director Robert Bresson was one of the great artists of the twentieth century and among the most radical, original, and radiant stylists of any time. He worked with nonprofessional actors—models, as he called them—and deployed a starkly limited but hypnotic array of sounds and images to produce such classic works as A Man Escaped, Pickpocket, Diary of a Country Priest, and Lancelot of the Lake. From the beginning to the end of his career, Bresson dedicated himself to making movies in which nothing is superfluous and everything is always at stake. Notes on the Cinematograph distills the essence of Bresson’s theory and practice as a filmmaker and artist. He discusses the fundamental differences between theater and film; parses the deep grammar of silence, music, and noise; and affirms the mysterious power of the image to unlock the human soul. This book, indispensable for admirers of this great director and for students of the cinema, will also prove an inspiration, much like Rilke’s Letters to a Young Poet, for anyone who responds to the claims of the imagination at its most searching and rigorous."-- |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Motion pictures |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Cinematography |
| 9 (RLIN) | 139062 |
| 700 1# - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Griffin, Jonathan, |
| Relator term | translator |
| 9 (RLIN) | 1637406 |
| Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Collection code | Koha item type | Home library | Current library | Shelving location | Full call number | Barcode | Date last seen | Uniform Resource Identifier |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Dewey Decimal Classification | General Books | OPJGU Sonepat- Campus | OPJGU Sonepat- Campus | Main Library | 791.43 BR-N | 147292 | 20/10/2022 | 1245.34 |