Dark energy : (Record no. 2517184)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01728 a2200229 4500 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | JGU |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20220704163251.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 220704b |||||||| |||| 00| 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9789385936845 |
| Qualifying information | pbk. |
| 035 ## - SYSTEM CONTROL NUMBER | |
| System control number | JGU |
| 040 ## - CATALOGING SOURCE | |
| Language of cataloging | eng |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | eng |
| 100 ## - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Skerry, Philip J. |
| 9 (RLIN) | 847952 |
| Relator term | author |
| 245 ## - TITLE STATEMENT | |
| Title | Dark energy : |
| Remainder of title | Hitchcock's absolute camera and the physics of cinematic spacetime / |
| Statement of responsibility, etc | Philip J. Skerry. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) | |
| Place of publication, distribution, etc | New Delhi : |
| Name of publisher, distributor, etc | Bloomsbury, |
| Date of publication, distribution, etc | 2016. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc | "Alfred Hitchcock and the cinema grew up together. Born in 1899, four years after the first ‘official’ film showing in Paris, Hitchcock demonstrated an early fascination with the new art of the cinema. He entered the film industry in 1920, and by 1925, he had directed his first feature-length film, The Pleasure Garden. His subsequent film career paralleled the phenomenal growth of the film industry during the years 1925-1976, the year of his last film. In the same way, Hitchcock’s films are consonant with the revolutionary theories in the fields of physics and cosmology that were transforming the twentieth century, personified by the genius of Albert Einstein. Philip Skerry’s book applies the theories of dark energy, entropy, black holes, and quantum mechanics to Hitchcock’s technological genius and camera aesthetics, helping to explain the concept of ‘pure cinema’ and providing verification for its remarkable power. Including interviews with influential physicists, this study opens up new ways of analyzing Hitchcock’s art."-- |
| 600 ## - SUBJECT ADDED ENTRY--PERSONAL NAME | |
| Personal name | Hitchcock, Alfred, |
| Chronological subdivision | 1899-1980 |
| 9 (RLIN) | 862108 |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name as entry element | Cinematography. |
| 9 (RLIN) | 139062 |
| Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Collection code | Koha item type | Home library | Current library | Shelving location | Full call number | Barcode | Date last seen |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Dewey Decimal Classification | General Books | OPJGU Sonepat- Campus | OPJGU Sonepat- Campus | Main Library | 791.430233092 SK-D | 146039 | 24/06/2022 |