MARC details
000 -LEADER |
fixed length control field |
02831cam a2200253 i 4500 |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20241024020013.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
200117s2020 njuab b 001 0 eng |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780691201849 |
Qualifying information |
hbk. |
035 ## - SYSTEM CONTROL NUMBER |
System control number |
JGU |
040 ## - CATALOGING SOURCE |
Language of cataloging |
eng |
041 ## - LANGUAGE CODE |
Language code of text/sound track or separate title |
eng |
100 1# - MAIN ENTRY--PERSONAL NAME |
Personal name |
Khera, Dipti, |
Relator term |
author |
9 (RLIN) |
62837 |
245 14 - TITLE STATEMENT |
Title |
The place of many moods : |
Remainder of title |
Udaipur's painted lands and India's eighteenth century / |
Statement of responsibility, etc |
Dipti Khera. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
Place of publication, distribution, etc |
Princeton : |
Name of publisher, distributor, etc |
Princeton University Press, |
Date of publication, distribution, etc |
2020. |
500 ## - GENERAL NOTE |
General note |
Based on the author's thesis (Ph.D.)--Columbia University, 2013, under the title: Picturing India's "Land of Kings" between the Mughal and British empires : topographical imaginings of Udaipur and its environs. |
520 ## - SUMMARY, ETC. |
Summary, etc |
"India retains one of the richest painting traditions in the history of global visual culture, one that both parallels aspects of European traditions and also diverges from it. While European artists venerated the landscape and landscape paintings, it is rare in the Indian tradition to find depictions of landscapes for their sheer beauty and mood, without religious or courtly significance. There is one glorious exception: Painters from the city of Udaipur in Northwestern India specialized in depicting places, including the courtly worlds and cities of rajas, sacred landscapes of many gods, and bazaars bustling with merchants, pilgrims, and craftsmen. Their court paintings and painted invitation scrolls displayed rich geographic information, notions of territory, and the bhāva, or feel, emotion, and mood of a place. This is the first book to use artistic representations of place to trace the major aesthetic, intellectual, and political shifts in South Asia over the long eighteenth century. While James Tod, the first British colonial agent based in Udaipur, established the region's reputation as a principality in a state of political and cultural deterioration, author Dipti Khera uses these paintings to suggest a counter-narrative of a prosperous region with beautiful and bountiful cities, and plentiful rains and lakes. She explores the perspectives of courtly communities, merchants, pilgrims, monks, laypeople, and officers, and the British East India Company's officers, explorers, and artists. Throughout, she draws new conclusions about the region's intellectual and artistic practices, and its shifts in political authority, mobility, and urbanity"-- |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Painting |
General subdivision |
Political aspects |
Geographic subdivision |
India |
-- |
Udaipur (Rajasthan) |
General subdivision |
History |
Chronological subdivision |
18th century. |
9 (RLIN) |
861979 |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Art and society |
Geographic subdivision |
India |
-- |
Udaipur (Rajasthan) |
General subdivision |
History |
Chronological subdivision |
18th century. |
9 (RLIN) |
861980 |
651 #0 - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME |
Geographic name |
Udaipur (Rajasthan, India) |
Form subdivision |
In art. |
9 (RLIN) |
861981 |
651 #0 - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME |
Geographic name |
Udaipur (Rajasthan, India) |
General subdivision |
Intellectual life |
Chronological subdivision |
18th century. |
9 (RLIN) |
861982 |