MARC details
| 000 -LEADER |
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| fixed length control field |
04668nam a22003371i 4500 |
| 001 - CONTROL NUMBER |
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| control field |
bpp09263751 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
UtOrBLW |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20220730145927.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
190814s2019 enk ob 001 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781350060685 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
UtOrBLW |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
UtOrBLW |
| 245 00 - TITLE STATEMENT |
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| Title |
Design, history and time |
| Remainder of title |
new temporalities in a digital age |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
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| Place of publication, distribution, etc |
London |
| Name of publisher, distributor, etc |
Bloomsbury |
| Date of publication, distribution, etc |
2019 |
| 500 ## - GENERAL NOTE |
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| General note |
Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc |
Includes bibliographical references and index. |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
List of figures -- List of contributors -- Foreword -- Barry Curtis, Royal College of Art, UK -- Introduction -- Zoe Hendon and Anne Massey, independent, UK -- -- Section I: Millennia, Centuries -- 1. Designing stone: temporal representation of a timeless material -- Seher Erdogan Ford, Temple University, USA -- 2. 'The drama of the soul': time, eternity and evolution in the designs of Phoebe Anna Traquair -- Sally Anne Huxtable, National Museums Scotland, UK -- 3. Time aboard the Ghan: Alice Springs to Adelaide, March 2016 -- Anne Burke, Middlesex University, UK -- Section II: Centuries, Decades, Years -- 4 As good as apple pie? Post-unification Germany and the reception of public art from the former German Democratic Republic -- Jessica Jenkins, Falmouth University, UK -- 5. The story of a Portuguese cock and other knick-knacks: heritage, propaganda and design in a far-right dictatorship -- Carlos Bártolo, Universidade Lusíada, Portugal -- 6. An experiment with time: modern and classical influences in the planning of 'high and over' -- Michael Findlay, Otago Polytechnic, New Zealand -- 7. Making 'atomic' history: consuming historical narratives in the 'unofficial' digital archive -- Emily Candela, Royal College of Art, UK -- 8. A queer feeling and its future in/for design history -- John Potvin, Concordia University, Canada -- Section III: Days, Hours, Seconds -- 9. Tube time: How the subterranean city got faster by design -- David Lawrence, Kingston University and London Transport Museum, UK -- 10. Dreams of The Fun Palace and Plug-In City: architectural modularism and cybernetics in the 1960s -- Claire McAndrew, University College London, UK -- 11. Sign of the times: slow design in the age of social acceleration -- Niels Peter Skou, University of Southern Denmark, Denmark -- 12. Fast and slow: design and the experience of time -- Stephen Hayward, Central St Martins, UK -- 13. Delivered in less than sixty seconds: temporal references in the design and discourse of digital reading devices -- Toke Riis Ebbesen, University of Southern Denmark, Denmark -- Select Bibliography -- Index. |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc |
"Design, History and Time reflects on the nature of time in relation to design, in both past and contemporary contexts. In contrast to a traditional design historical approach which emphasises schools and movements, this volume addresses time as a continuum and considers the importance of temporality for design practice and history. Contributors address how designers, design historians and design thinkers might respond to the global challenges of time, the rhythms of work, and the increasing speed of life and communication between different communities. They consider how the past informs the present and the future in terms of design; the importance of time-based design practices such as rapid prototyping and slow design, time in relation to memory and forgetting, and artefacts such as the archive for which time is key, and ponder the design of time itself. Showcasing the work of fifteen design scholars from a range of international contexts, the book provides an essential text for thinking about changing attitudes to the temporal."--Bloomsbury Publishing. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name as entry element |
Architecture |
| General subdivision |
History. |
| 9 (RLIN) |
94959 |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name as entry element |
Design |
| General subdivision |
History. |
| 9 (RLIN) |
51524 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
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| Personal name |
Hendon, Zoe |
| 9 (RLIN) |
73757 |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
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| Personal name |
Massey, Anne |
| 9 (RLIN) |
73758 |
| 856 40 - ELECTRONIC LOCATION AND ACCESS |
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| Uniform Resource Identifier |
<a href="https://doi.org/10.5040/9781350060685?locatt=label:secondary_bloomsburyCollections?locatt=label:secondary_bloomsburyCollections">https://doi.org/10.5040/9781350060685?locatt=label:secondary_bloomsburyCollections?locatt=label:secondary_bloomsburyCollections</a> |
| 530 ## - ADDITIONAL PHYSICAL FORM AVAILABLE NOTE |
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| Additional physical form available note |
Also issued in print. |
| 533 ## - REPRODUCTION NOTE |
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| Type of reproduction |
Electronic reproduction. |
| Place of reproduction |
London : |
| Agency responsible for reproduction |
Bloomsbury Publishing, |
| Date of reproduction |
2019. |
| Note about reproduction |
Available via World Wide Web. |
| -- |
Access limited by licensing agreement. |
| 690 #0 - Course and Semester Details |
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| Course Name |
History of art / art & design styles| BIC |
