Flesh becomes word : a lexicography of the scapegoat or, the history of an idea / David Dawson.
Material type: TextSeries: Studies in violence, mimesis, and culturePublisher: East Lansing : Michigan State University Press, [2013]Copyright date: ©2013Description: 1 online resource (xix, 200 pages)Content type:- text
- computer
- online resource
- 9781628960754
- 1628960752
- Scapegoat (The English word)
- English language -- Etymology
- English language -- Religious aspects
- Scapegoat in literature
- Anglais (Langue) -- Étymologie
- Bouc émissaire dans la littérature
- LANGUAGE ARTS & DISCIPLINES -- Linguistics -- Etymology
- LANGUAGE ARTS & DISCIPLINES -- Linguistics -- General
- English language -- Etymology
- English language -- Religious aspects
- Scapegoat in literature
- Scapegoat (The English word)
- Syndabockar i litteraturen
- 422 23
- PE1599.S33
Item type | Home library | Collection | Call number | Materials specified | Status | Date due | Barcode | |
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Electronic-Books | OPJGU Sonepat- Campus | E-Books EBSCO | Available |
Includes bibliographical references.
Rites of Riddance and Substitution -- Ancient Types and Soteriologies -- The Sulfurous and Sublime -- Economies of Blood -- The Damnation of Christ's Soul -- Anthropologies of the Scapegoat -- The Goat and the Idol -- A Figure in Flux -- Early Modern Texts of Persecution -- A Latent History of the Modern World -- Conclusion : The Plowbeam and the Loom -- Appendix : Katharma and Peripsēma Testimonia.
Though its coinage can be traced back to a sixteenth-century translation of Leviticus, the term "scapegoat" has enjoyed a long and varied history of both scholarly and everyday uses. While William Tyndale employed it to describe one of two goats chosen by lot to escape the Day of Atonement sacrifices with its life, the expression was soon far more widely used to name victims of false accusation and unwarranted punishment. As such, the scapegoat figures prominently in contemporary theories of violence, from its elevation by Frazer to a ritual category in his ethnological opus The Golden Bough to its pivotal roles in projects as seemingly at odds as Jacques Derrida's deconstruction of Western metaphysics and Ren Girard's theory of cultural origins. This book follows the scapegoat from its origins in Mesopotamian ritual across centuries of typological reflection on the meaning of Jesus' death, to its first informal uses in the pornographic and plague literature of the 1600s, and finally into the modern era, where the word takes recognizable shape in the context of the New English Quaker persecution and proto-feminist diatribe at the close of the seventeenth century. The historical circumstances of its lexical formation prove rich in implications for theories of the scapegoat and the making of the modern world alike.
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