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Motion in classical literature : Homer, Parmenides, Sophocles, Ovid, Seneca, Tacitus, Art / G.O. Hutchinson.

By: Material type: TextTextLanguage: English Publication details: Oxford : Oxford University Press, 2020.ISBN:
  • 9780198855620
Subject(s): Summary: "This volume begins with an exploration of motion in particular works of visual art, and continues by examining the characteristics of literary depiction. Seven works are then used as examples: Homer's Iliad, Ovid's Metamorphoses, Tacitus' Annals, Sophocles' Philoctetes and Oedipus at Colonus, Parmenides' On nature, and Seneca's Natural questions. ... Each chapter first pursues the general roles of motion in the particular work and provides detail on its language of motion. It then engages in close analysis of particular passages, to show how much emerges when motion is scrutinized. Among the aspects which emerge as important are speed, scale, and shape of movement; motion and fixity; the movement of one person and a group; motion willed and imposed; motion in images and in unrealized possibilities. The conclusion looks at these aspects across the works, and at differences of genre and period."--
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Item type Home library Collection Call number Status Date due Barcode
Print Print OPJGU Sonepat- Campus Main Library General Books 813.6 HU-M (Browse shelf(Opens below)) Available 146611

"This volume begins with an exploration of motion in particular works of visual art, and continues by examining the characteristics of literary depiction. Seven works are then used as examples: Homer's Iliad, Ovid's Metamorphoses, Tacitus' Annals, Sophocles' Philoctetes and Oedipus at Colonus, Parmenides' On nature, and Seneca's Natural questions. ... Each chapter first pursues the general roles of motion in the particular work and provides detail on its language of motion. It then engages in close analysis of particular passages, to show how much emerges when motion is scrutinized. Among the aspects which emerge as important are speed, scale, and shape of movement; motion and fixity; the movement of one person and a group; motion willed and imposed; motion in images and in unrealized possibilities. The conclusion looks at these aspects across the works, and at differences of genre and period."--

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